The Thirteen Problems - Agatha Christie [82]
Sir Henry nodded.
‘The boy saw no one on the bridge?’
‘No. But, as I tell you, it was dusk, and there’s mist always hanging about there. I’m going to question him as to whether he saw anyone about just afterwards or just before. You see he naturally assumed that the girl had thrown herself over. Everybody did to start with.’
‘Still, we’ve got the note,’ said Inspector Drewitt. He turned to Sir Henry.
‘Note in the dead girl’s pocket, sir. Written with a kind of artist’s pencil it was, and all of a sop though the paper was we managed to read it.’
‘And what did it say?’
‘It was from young Sandford. “All right,” that’s how it ran. “I’ll meet you at the bridge at eight-thirty.—R.S.” Well, it was near as might be to eight-thirty—a few minutes after—when Jimmy Brown heard the cry and the splash.’
‘I don’t know whether you’ve met Sandford at all?’ went on Colonel Melchett. ‘He’s been down here about a month. One of these modern day young architects who build peculiar houses. He’s doing a house for Allington. God knows what it’s going to be like—full of new-fangled stuff, I suppose. Glass dinner table and surgical chairs made of steel and webbing. Well, that’s neither here nor there, but it shows the kind of chap Sandford is. Bolshie, you know—no morals.’
‘Seduction,’ said Sir Henry mildly, ‘is quite an old-established crime though it does not, of course, date back so far as murder.’
Colonel Melchett stared.
‘Oh! yes,’ he said. ‘Quite. Quite.’
‘Well, Sir Henry,’ said Drewitt, ‘there it is—an ugly business, but plain. This young Sandford gets the girl into trouble. Then he’s all for clearing off back to London. He’s got a girl there—nice young lady—he’s engaged to be married to her. Well, naturally this business, if she gets to hear of it, may cook his goose good and proper. He meets Rose at the bridge—it’s a misty evening, no one about—he catches her by the shoulders and pitches her in. A proper young swine—and deserves what’s coming to him. That’s my opinion.’
Sir Henry was silent for a minute or two. He perceived a strong undercurrent of local prejudice. A new-fangled architect was not likely to be popular in the conservative village of St Mary Mead.
‘There is no doubt, I suppose, that this man, Sandford, was actually the father of the coming child?’ he asked.
‘He’s the father all right,’ said Drewitt. ‘Rose Emmott let out as much to her father. She thought he’d marry her. Marry her! Not he!’
‘Dear me,’ thought Sir Henry. ‘I seem to be back in mid-Victorian melodrama. Unsuspecting girl, the villain from London, the stern father, the betrayal—we only need the faithful village lover. Yes, I think it’s time I asked about him.’
And aloud he said:
‘Hadn’t the girl a young man of her own down here?’
‘You mean Joe Ellis?’ said the Inspector. ‘Good fellow Joe. Carpentering’s his trade. Ah! If she’d stuck to Joe—’
Colonel Melchett nodded approval.
‘Stick to your own class,’ he snapped.
‘How did Joe Ellis take this affair?’ asked Sir Henry.
‘Nobody knew how he was taking it,’ said the Inspector. ‘He’s a quiet fellow, is Joe. Close. Anything Rose did was right in his eyes. She had him on a string all right. Just hoped she’d come back to him some day—that was his attitude, I reckon.’
‘I’d like to see him,’ said Sir Henry.
‘Oh! We’re going to look him up,’ said Colonel Melchett. ‘We’re not neglecting any line. I thought myself we’d see Emmott first, then Sandford, and then we can go on and see Ellis. That suits you, Clithering?’
Sir Henry said it would suit him admirably.
They found Tom Emmott at the Blue Boar. He was a big burly man of middle age with a shifty eye and a truculent jaw.
‘Glad to see you, gentlemen—good morning, Colonel. Come in here and we can be private. Can I offer you anything, gentlemen? No? It’s as you please. You’ve come about