The Thirteen Problems - Agatha Christie [92]
Why should they not execute him? We have taken the lives of wolves, in this country; we didn’t try to teach the wolf to lie down with the lamb—I doubt really if we could have. We hunted down the wild boar in the mountains before he came down and killed the children by the brook. Those were our enemies—and we destroyed them.*
Imprisonment for life, Mrs Christie goes on to say, is more cruel than the cup of hemlock in ancient Greece. The best answer ever found, she suspects, was transportation: ‘A vast land of emptiness, peopled only with primitive human beings, where man could live in simpler surroundings.’ Well, yes, but of course the price one pays for that is the Australia of today!
Five minor points about The Thirteen Problems, two concerned with Christie carelessness and three with Christie parsimony: (i) in one of the stories, ‘phenomena’ is used as though it were a singular, and not the plural of ‘phenomenon’; (ii) in The Thirteen Problems, Raymond West’s fiancée is called Joyce but, in later Christie stories, after they are married, she is always referred to as Joan; (iii) variations on the plot of one of the stories, ‘The BloodStained Pavement’, will be presented in the story ‘Triangle at Rhodes’ in Murder in the Mews (1937) and in the novel, Evil Under the Sun (1941); (iv) the plot of another story, ‘The Companion’, will be made use of again in the novel, A Murder is Announced (1950); (v) an element in the plot of ‘The Herb of Death’ will re-occur in Postern of Fate (1973).
Agatha Christie always considered that Miss Marple was at her best in the solving of short problems, which did not involve her in doing anything other than sitting and thinking, and that the real essence of her character was to be found in the stories collected together in The Thirteen Problems.
About Charles Osborne
This essay was adapted from Charles Osborne’s The Life and Crimes of Agatha Christie: A Biographical Companion to the Works of Agatha Christie (1982, rev. 1999). Mr. Osborne was born in Brisbane in 1927. He is known internationally as an authority on opera, and has written a number of books on musical and literary subjects, among them The Complete Operas of Verdi (1969); Wagner and His World (1977); and W.H. Auden: The Life of a Poet (1980). An addict of crime fiction and the world’s leading authority on Agatha Christie, Charles Osborne adapted the Christie plays Black Coffee (Poirot); Spider’s Web; and The Unexpected Guest into novels. He lives in London.
*Agatha Christie: op. cit.
About Agatha Christie
Agatha Christie is known throughout the world as the Queen of Crime. Her books have sold over a billion copies in English and another billion in 100 foreign languages. She is the most widely published author of all time and in any language, outsold only by the Bible and Shakespeare. Mrs Christie is the author of eighty crime novels and short story collections, nineteen plays, and six novels written under the name of Mary Westmacott.
Agatha Christie’s first novel, The Mysterious Affair at Styles, was written towards the end of World War I (during which she served in the Voluntary Aid Detachments). In it she created Hercule Poirot, the little Belgian investigator who was destined to become the most popular detective in crime fiction since Sherlock Holmes. After having been rejected by a number of houses, The Mysterious Affair at Styles was eventually published by The Bodley Head in 1920.
In 1926, now averaging a book a year, Agatha Christie wrote her masterpiece. The Murder of Roger Ackroyd was the first of her books to be published by William Collins and marked the beginning of an author-publisher relationship that lasted for fifty years and produced over seventy books. The Murder of Roger Ackroyd was also the first of Agatha Christie’s works to be dramatised—as Alibi—and to have