THE THORNY ROAD OF HONOR [0]
1872
FAIRY TALES OF HANS CHRISTIAN ANDERSEN
THE THORNY ROAD OF HONOR
by Hans Christian Andersen
AN old story yet lives of the "Thorny Road of Honor," of a
marksman, who indeed attained to rank and office, but only after a
lifelong and weary strife against difficulties. Who has not, in
reading this story, thought of his own strife, and of his own numerous
"difficulties?" The story is very closely akin to reality; but still
it has its harmonious explanation here on earth, while reality often
points beyond the confines of life to the regions of eternity. The
history of the world is like a magic lantern that displays to us, in
light pictures upon the dark ground of the present, how the
benefactors of mankind, the martyrs of genius, wandered along the
thorny road of honor.
From all periods, and from every country, these shining pictures
display themselves to us. Each only appears for a few moments, but
each represents a whole life, sometimes a whole age, with its
conflicts and victories. Let us contemplate here and there one of
the company of martyrs- the company which will receive new members
until the world itself shall pass away.
We look down upon a crowded amphitheatre. Out of the "Clouds" of
Aristophanes, satire and humor are pouring down in streams upon the
audience; on the stage Socrates, the most remarkable man in Athens, he
who had been the shield and defence of the people against the thirty
tyrants, is held up mentally and bodily to ridicule- Socrates, who
saved Alcibiades and Xenophon in the turmoil of battle, and whose
genius soared far above the gods of the ancients. He himself is
present; he has risen from the spectator's bench, and has stepped
forward, that the laughing Athenians may well appreciate the
likeness between himself and the caricature on the stage. There he
stands before them, towering high above them all.
Thou juicy, green, poisonous hemlock, throw thy shadow over
Athens- not thou, olive tree of fame!
Seven cities contended for the honor of giving birth to Homer-
that is to say, they contended after his death! Let us look at him
as he was in his lifetime. He wanders on foot through the cities,
and recites his verses for a livelihood; the thought for the morrow
turns his hair gray! He, the great seer, is blind, and painfully
pursues his way- the sharp thorn tears the mantle of the king of
poets. His song yet lives, and through that alone live all the
heroes and gods of antiquity.
One picture after another springs up from the east, from the west,
far removed from each other in time and place, and yet each one
forming a portion of the thorny road of honor, on which the thistle
indeed displays a flower, but only to adorn the grave.
The camels pass along under the palm trees; they are richly
laden with indigo and other treasures of value, sent by the ruler of
the land to him whose songs are the delight of the people, the fame of
the country. He whom envy and falsehood have driven into exile has
been found, and the caravan approaches the little town in which he has
taken refuge. A poor corpse is carried out of the town gate, and the
funeral procession causes the caravan to halt. The dead man is he whom
they have been sent to seek- Firdusi- who has wandered the Thorny road
of honor even to the end.
The African, with blunt features, thick lips, and woolly hair,
sits on the marble steps of the palace in the capital of Portugal, and
begs. He is the submissive slave of Camoens, and but for him, and
for the copper coins thrown to him by the passers-by, his master,
the poet of the "Lusiad," would die of hunger. Now, a costly
monument marks the grave of Camoens.
There is a new picture.
Behind the iron grating a man appears, pale as death, with long
unkempt beard.
"I have made a discovery," he says, "the greatest that has been
made
FAIRY TALES OF HANS CHRISTIAN ANDERSEN
THE THORNY ROAD OF HONOR
by Hans Christian Andersen
AN old story yet lives of the "Thorny Road of Honor," of a
marksman, who indeed attained to rank and office, but only after a
lifelong and weary strife against difficulties. Who has not, in
reading this story, thought of his own strife, and of his own numerous
"difficulties?" The story is very closely akin to reality; but still
it has its harmonious explanation here on earth, while reality often
points beyond the confines of life to the regions of eternity. The
history of the world is like a magic lantern that displays to us, in
light pictures upon the dark ground of the present, how the
benefactors of mankind, the martyrs of genius, wandered along the
thorny road of honor.
From all periods, and from every country, these shining pictures
display themselves to us. Each only appears for a few moments, but
each represents a whole life, sometimes a whole age, with its
conflicts and victories. Let us contemplate here and there one of
the company of martyrs- the company which will receive new members
until the world itself shall pass away.
We look down upon a crowded amphitheatre. Out of the "Clouds" of
Aristophanes, satire and humor are pouring down in streams upon the
audience; on the stage Socrates, the most remarkable man in Athens, he
who had been the shield and defence of the people against the thirty
tyrants, is held up mentally and bodily to ridicule- Socrates, who
saved Alcibiades and Xenophon in the turmoil of battle, and whose
genius soared far above the gods of the ancients. He himself is
present; he has risen from the spectator's bench, and has stepped
forward, that the laughing Athenians may well appreciate the
likeness between himself and the caricature on the stage. There he
stands before them, towering high above them all.
Thou juicy, green, poisonous hemlock, throw thy shadow over
Athens- not thou, olive tree of fame!
Seven cities contended for the honor of giving birth to Homer-
that is to say, they contended after his death! Let us look at him
as he was in his lifetime. He wanders on foot through the cities,
and recites his verses for a livelihood; the thought for the morrow
turns his hair gray! He, the great seer, is blind, and painfully
pursues his way- the sharp thorn tears the mantle of the king of
poets. His song yet lives, and through that alone live all the
heroes and gods of antiquity.
One picture after another springs up from the east, from the west,
far removed from each other in time and place, and yet each one
forming a portion of the thorny road of honor, on which the thistle
indeed displays a flower, but only to adorn the grave.
The camels pass along under the palm trees; they are richly
laden with indigo and other treasures of value, sent by the ruler of
the land to him whose songs are the delight of the people, the fame of
the country. He whom envy and falsehood have driven into exile has
been found, and the caravan approaches the little town in which he has
taken refuge. A poor corpse is carried out of the town gate, and the
funeral procession causes the caravan to halt. The dead man is he whom
they have been sent to seek- Firdusi- who has wandered the Thorny road
of honor even to the end.
The African, with blunt features, thick lips, and woolly hair,
sits on the marble steps of the palace in the capital of Portugal, and
begs. He is the submissive slave of Camoens, and but for him, and
for the copper coins thrown to him by the passers-by, his master,
the poet of the "Lusiad," would die of hunger. Now, a costly
monument marks the grave of Camoens.
There is a new picture.
Behind the iron grating a man appears, pale as death, with long
unkempt beard.
"I have made a discovery," he says, "the greatest that has been
made