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The Tin Ticket_ The Heroic Journey of Australia's Convict Women - Deborah J. Swiss [0]

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Table of Contents

Title Page

Copyright Page

Dedication

Acknowledgements

Introduction

Chapter 1 - The Grey-Eyed Girl

Chapter 2 - Crown of Thieves

Chapter 3 - The Angel of Newgate

Chapter 4 - Sweet Sixteen

Chapter 5 - More Sinned Against Than Sinning

Chapter 6 - Ludlow’s Choice

Chapter 7 - Liverpool Street

Chapter 8 - The Yellow C

Chapter 9 - Flames of Love

Chapter 10 - Bendigo’s Gold

APPENDIX 1

APPENDIX 2

APPENDIX 3

APPENDIX 4

APPENDIX 5

APPENDIX 6

APPENDIX 7

NOTES

BIBLIOGRAPHY

INDEX

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Library of Congress Cataloging-in-Publication Data

Swiss, Deborah J.

eISBN : 978-1-101-46442-7

1. Penal transportation—Australia—Tasmania—History—19th century. 2. Women prisoners—Australia—Tasmania—History—19th century. 3. Convict labor—Australia—Tasmania—History—19th century. 4. Exiles—Australia—Tasmania—History—19th century. I. Title.

HV8950.T3S95 2010

994.602092’2—dc22

[B]

2010014357

http://us.penguingroup.com

To Digney Fignus

ACKNOWLEDGMENTS

Like Agnes McMillan and Janet Houston, I’m blessed with true-blue mates. Digney Fignus patiently edited chapter draft after chapter draft, transcribed stacks of nineteenth-century newspaper accounts and convict records, and composed the beautiful song “All for Love,” which honors the transported women. My children, Alex and Alison Rice-Swiss, cheered me through each deadline and across the finish.

Molly Lyons, my agent at Joelle Delbourgo Associates, is exceptional and believed in me from our first meeting. Berkley Books editor Natalee Rosenstein and associate editor Michelle Vega were outstanding at all the details that moved The Tin Ticket into production. A giant thank-you to Berk ley publisher Leslie Gelbman, managing editor Jessica McDonnell, Richard Hasselberger and Andrea Tsurumi in the art department, and everyone in publicity, promotion, and sales.

An extraordinary team helped build this book. Anne Raisis provided excellent editorial expertise and moved mountains to gather photo permissions from around the world. Ames Halbreich added atmosphere and poetry as she edited chapters. Connie Hadley helped shape The Tin Ticket

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