The Tin Ticket_ The Heroic Journey of Australia's Convict Women - Deborah J. Swiss [74]
Trafficking and illicit commerce between turnkeys and prisoners enabled the women to purchase food, tea, tobacco, sugar, and liquor. The Mob broke even the unwritten rules, defying strict Victorian notions concerning sexuality. Some, including Ellen Scott, were punished for an “unnatural connexion” with another woman, although Ellen later married a freed male convict.
Both fearful of and fascinated by the Flash Mob, the local press described “women, who, by a simple process of initiation, are admitted into a series of unhallowed mysteries, similar, in many respects, to those which are described by Göethe, in his unrivalled Drama of Faust. . . . Like those abominable Saturnalia, they are performed in the dark and silent hour of night, but, unlike those, they are performed in solitude and secrecy, amongst only the duly initiated. With the fiendish fondness for sin, every effort, both in the Factory, and out of it, is made by these wretches, to acquire proselytes to their infamous practices . . .”41
The advantages amassed by members of the Flash Mob were later revealed in testimony by a Cascades prisoner assigned work as a guard: “I was once turnkey over the Crime Class and used to sell and buy on my own account Tobacco, Tea, Sugar, Meat etc. Two women after Muster were released, by me or by Mrs. Hutchinson’s servants, from the Cells as I managed to abstract the keys I wanted and we were supplied from over the Wall with what we wanted.”42
This sturdy Crime Class subculture, founded on rebellion and solidarity, managed better food, new clothing, and more merriment. The Cascades rebels drank, smoked, talked all night, played cards, exchanged ribald jokes, and put on elaborate theatrics that mocked the authorities. They danced in the moonlight, pretending to be goddesses at the base of Mt. Wellington, and they belted out bawdy songs night after night.
Many were punished for singing obscene lyrics. Others found protection in this rebellious sisterhood of solidarity and devised a myriad of schemes to try the pious patience of Matron Hutchinson. In one well-practiced stunt, the rebels sang at the top of their lungs. The minute they heard the matron’s heavy steps, their chorus fell silent. By the time Mrs. Hutchinson returned to her housing on the second floor of Cascades, the musical entertainment commenced all over again. Testifying before an inquiry into convict discipline, Mrs. Hutchinson admitted: “Their songs are sometimes very disgusting. They leave off when they know I am coming. When they do not (which is sometimes the case in a wet night when they do not hear my foot on the pavement) I turn out the whole ward till I get at the woman whom I send to a cell.”43
Agnes met members of the Flash Mob as she toiled along the washtubs. As a new arrival to the Crime Class, she may have been recruited into their fold, because the Mob would have welcomed the young Scot’s musical talent and her feisty disposition. After serving the second of her eventual twelve trips back to the Crime Class, Agnes was released in early January 1838 at summer’s peak in Van Diemen’s Land.
For eight months, she dutifully fulfilled her sentence until returned by her new master on September 8 for “refusing to return to her service.” 44 She was sentenced to ten days on bread and water. Three days later, Agnes