The Titan [233]
who was not to be bent to his will. That fact more than anything else--for her grace and beauty merely emblazoned it--caused him to fall into a hopeless infatuation.
He said to himself over and over, "Well, I can live without her if I must," but at this stage the mere thought was an actual stab in his vitals. What, after all, was life, wealth, fame, if you couldn't have the woman you wanted--love, that indefinable, unnamable coddling of the spirit which the strongest almost more than the weakest crave? At last he saw clearly, as within a chalice-like nimbus, that the ultimate end of fame, power, vigor was beauty, and that beauty was a compound of the taste, the emotion, the innate culture, passion, and dreams of a woman like Berenice Fleming. That was it: that was it. And beyond was nothing save crumbling age, darkness, silence.
In the mean time, owing to the preliminary activity and tact of his agents and advisers, the Sunday newspapers were vying with one another in describing the wonders of his new house in New York--its cost, the value of its ground, the wealthy citizens with whom the Cowperwoods would now be neighbors. There were double-column pictures of Aileen and Cowperwood, with articles indicating them as prospective entertainers on a grand scale who would unquestionably be received because of their tremendous wealth. As a matter of fact, this was purely newspaper gossip and speculation. While the general columns made news and capital of his wealth, special society columns, which dealt with the ultra-fashionable, ignored him entirely. Already the machination of certain Chicago social figures in distributing information as to his past was discernible in the attitude of those clubs, organizations, and even churches, membership in which constitutes a form of social passport to better and higher earthly, if not spiritual, realms. His emissaries were active enough, but soon found that their end was not to be gained in a day. Many were waiting locally, anxious enough to get in, and with social equipments which the Cowperwoods could scarcely boast. After being blackballed by one or two exclusive clubs, seeing his application for a pew at St. Thomas's quietly pigeon-holed for the present, and his invitations declined by several multimillionaires whom he met in the course of commercial transactions, he began to feel that his splendid home, aside from its final purpose as an art-museum, could be of little value.
At the same time Cowperwood's financial genius was constantly being rewarded by many new phases of materiality chiefly by an offensive and defensive alliance he was now able to engineer between himself and the house of Haeckelheimer, Gotloeb & Co. Seeing the iron manner in which he had managed to wrest victory out of defeat after the first seriously contested election, these gentlemen had experienced a change of heart and announced that they would now gladly help finance any new enterprise which Cowperwood might undertake. Among many other financiers, they had heard of his triumph in connection with the failure of American Match.
"Dot must be a right cleffer man, dot Cowperwood," Mr. Gotloeb told several of his partners, rubbing his hands and smiling. "I shouldt like to meet him."
And so Cowperwood was manoeuvered into the giant banking office, where Mr. Gotloeb extended a genial hand.
"I hear much of Chicawkgo," he explained, in his semi-German, semi-Hebraic dialect, "but almozd more uff you. Are you goink to swallow up all de street-railwaiss unt elefated roats out dere?"
Cowperwood smiled his most ingenuous smile.
"Why? Would you like me to leave a few for you?"
"Not dot exzagly, but I might not mint sharink in some uff dem wit you."
"You can join with me at any time, Mr. Gotloeb, as you must know. The door is always very, very wide open for you."
"I musd look into dot some more. It loogs very promising to me. I am gladt to meet you."
The great external element in Cowperwood's financial success--and one which he himself had foreseen from the very beginning--was
He said to himself over and over, "Well, I can live without her if I must," but at this stage the mere thought was an actual stab in his vitals. What, after all, was life, wealth, fame, if you couldn't have the woman you wanted--love, that indefinable, unnamable coddling of the spirit which the strongest almost more than the weakest crave? At last he saw clearly, as within a chalice-like nimbus, that the ultimate end of fame, power, vigor was beauty, and that beauty was a compound of the taste, the emotion, the innate culture, passion, and dreams of a woman like Berenice Fleming. That was it: that was it. And beyond was nothing save crumbling age, darkness, silence.
In the mean time, owing to the preliminary activity and tact of his agents and advisers, the Sunday newspapers were vying with one another in describing the wonders of his new house in New York--its cost, the value of its ground, the wealthy citizens with whom the Cowperwoods would now be neighbors. There were double-column pictures of Aileen and Cowperwood, with articles indicating them as prospective entertainers on a grand scale who would unquestionably be received because of their tremendous wealth. As a matter of fact, this was purely newspaper gossip and speculation. While the general columns made news and capital of his wealth, special society columns, which dealt with the ultra-fashionable, ignored him entirely. Already the machination of certain Chicago social figures in distributing information as to his past was discernible in the attitude of those clubs, organizations, and even churches, membership in which constitutes a form of social passport to better and higher earthly, if not spiritual, realms. His emissaries were active enough, but soon found that their end was not to be gained in a day. Many were waiting locally, anxious enough to get in, and with social equipments which the Cowperwoods could scarcely boast. After being blackballed by one or two exclusive clubs, seeing his application for a pew at St. Thomas's quietly pigeon-holed for the present, and his invitations declined by several multimillionaires whom he met in the course of commercial transactions, he began to feel that his splendid home, aside from its final purpose as an art-museum, could be of little value.
At the same time Cowperwood's financial genius was constantly being rewarded by many new phases of materiality chiefly by an offensive and defensive alliance he was now able to engineer between himself and the house of Haeckelheimer, Gotloeb & Co. Seeing the iron manner in which he had managed to wrest victory out of defeat after the first seriously contested election, these gentlemen had experienced a change of heart and announced that they would now gladly help finance any new enterprise which Cowperwood might undertake. Among many other financiers, they had heard of his triumph in connection with the failure of American Match.
"Dot must be a right cleffer man, dot Cowperwood," Mr. Gotloeb told several of his partners, rubbing his hands and smiling. "I shouldt like to meet him."
And so Cowperwood was manoeuvered into the giant banking office, where Mr. Gotloeb extended a genial hand.
"I hear much of Chicawkgo," he explained, in his semi-German, semi-Hebraic dialect, "but almozd more uff you. Are you goink to swallow up all de street-railwaiss unt elefated roats out dere?"
Cowperwood smiled his most ingenuous smile.
"Why? Would you like me to leave a few for you?"
"Not dot exzagly, but I might not mint sharink in some uff dem wit you."
"You can join with me at any time, Mr. Gotloeb, as you must know. The door is always very, very wide open for you."
"I musd look into dot some more. It loogs very promising to me. I am gladt to meet you."
The great external element in Cowperwood's financial success--and one which he himself had foreseen from the very beginning--was