The Towers of the Sunset - L. E. Modesitt [13]
Outside, the snow dashes against the gray walls of Westwind and strikes at the window, the window that is opened seldom, even if more often than most windows within Westwind. As the glass refrosts, he picks up the guitar.
Thrap!
With a sigh, he places the instrument in its case and slides it under the bed. While his mother and Llyse must certainly know about the guitar, neither of them ever mentions it. Nor does either mention music, for that topic is forbidden at Westwind, for all that it is a talent best cultivated by men.
“By men!” he snorts softly. “Coming.” His response is soft, like the green leathers that he wears within the castle, but it carries.
Thrap!
He frowns at his sister’s impatience, lifts the bar, and opens the door. Llyse stands there.
“Are you ready for dinner?” Her hair, silver like his, dazzles, though it barely reaches the back of her neck, a brief torrent of light flashing even in the dimness of the granite-walled corridor. Only by comparison to his short-cropped head does her hair seem long and flowing.
“No.” His smile is brief, lasting only the moment before his guts warn him of the dangers of even flippant untruths.
“You never are. How you can stand to be alone so much?”
He closes the heavy door as he steps out onto the bare stone floor.
“Mother was not pleased—”
“What is it this time?” Creslin does not mean to bark at his sister, and he softens his voice. “About the time alone, or—”
“No. If you want to be alone, that doesn’t bother her. She makes allowances for men being moody.”
“Then it must be the riding.”
Llyse shakes her head, grinning.
“All right. What is it?”
“She doesn’t think your hair is becoming when you cut it that short.”
Creslin groans. “She doesn’t like what I wear, what I do, and now . . .”
They pause at the top of the sweeping circular staircase, comprised of solid granite blocks that would carry the weight of all of the Marshall’s shock troops. Then they begin the descent to the great hall.
“Really,” begins Llyse, and her voice hardens into an imitation of the Marshall’s voice, “you must learn the proper manners of a consort, Creslin. You may simper over that guitar if you must, but riding with the guards is not suitable. Not at all. I am not pleased.”
Creslin shivers, not at the words but at the unconscious tone of command that already pervades his sister’s voice, beyond and beneath the imitation of their mother.
“She’s never pleased. She wasn’t pleased when I sneaked out and went on the first winter field trials with the junior guards. But I did better than most of them. At least she let me go on the later trials.”
“That’s not what Aemris told her.”
“Aemris wouldn’t cross her if the Roof of the World fell.”
They both laugh, but furtively, as their feet carry them into the main entryway of the castle.
“How is the blade-work going with Heldra?” Llyse asks as they reach the bottom of the stairs.
“I get pretty sore. She doesn’t care how much she hurts either my pride or my body.”
Llyse whistles softly. “You must be getting good. That’s what all the senior guards say.”
Creslin shakes his head. “I’ve improved, but probably not a lot.”
A pair of guards flanks the archway to the main hallway. The one on the left Creslin recognizes and nods to briefly, but she does not move a muscle.
“Creslin . . .” reproaches Llyse. “That’s not fair. Fiera’s on duty.”
Creslin knows his informal greeting was not fair. He shifts his glance to the far end of the great hall. The table upon the dais is vacant, except for Aemris, unlike the tables flanking the granite paving stones upon which the Marshalle and consort walk. At the lower-level tables have gathered most of the castle personnel, the guards, and their consorts. The children are seated to the rear with their guardians, near the doorway through which Creslin and Llyse have approached.
Creslin concentrates on walking toward the dais, knowing he will hear too much as he nears the forward tables of the guards, the tables frequented by those