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The Tragedy of Arthur_ A Novel - Arthur Phillips [0]

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ALSO BY WILLIAM SHAKESPEARE


The Taming of the Shrew

Edward III

Henry VI, Parts I–III (with Nashe, et al.)

The Two Gentlemen of Verona

Titus Andronicus (with George Peele)

Richard III

Venus and Adonis

The Rape of Lucrece

The Sonnets

The Comedy of Errors

Love’s Labour’s Lost

Love’s Labour’s Won (lost)

A Midsummer Night’s Dream

Romeo and Juliet

Richard II

King John

The Merchant of Venice

Henry IV, Parts I–II

Much Ado About Nothing

Henry V

As You Like It

Julius Caesar

Hamlet

The Merry Wives of Windsor

Sir Thomas More (with Munday, et al.)

Twelfth Night

Troilus and Cressida

Othello

Measure for Measure

All’s Well That Ends Well

Timon of Athens

(with Thomas Middleton)

King Lear

Macbeth (with Thomas Middleton)

Antony and Cleopatra

Coriolanus

Pericles (with George Wilkins)

Cymbeline

The Winter’s Tale

The Tempest

Cardenio (with John Fletcher—lost)

Henry VIII (with John Fletcher)

The Two Noble Kinsmen

(with John Fletcher)

ALSO BY ARTHUR PHILLIPS

Prague

The Egyptologist

Angelica

The Song Is You

Copyright © 2011 by Arthur Phillips


All rights reserved.

Published in the United States by Random House, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

RANDOM HOUSE and colophon are registered trademarks of Random House, Inc.

No reprint, performance, or recital of The Tragedy of Arthur is allowed under international copyright laws without express written permission of Arthur Phillips.

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Phillips, Arthur.

The tragedy of Arthur: a novel / by Arthur Phillips.

p. cm.

eISBN: 978-0-679-60506-5

I. Title.

PS3616.h45t73 2011

813′.6—dc22 2010021192

www.atrandom.com

Jacket design and illustration: Ben Wiseman

v3.1


Contents

Cover

Other Books by This Author

Title Page

Copyright

Preface

Introduction

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

The Tragedy of Arthur

Lines of Succession to the British Throne

List of Parts

Synopsis

Act I

Scene I

Scene II

Scene III

Scene IV

Scene V

Act II

Scene I

Scene II

Scene III

Scene IV

Scene V

Scene VI

Scene VII

Scene VIII

Scene IX

Act III

Scene I

Scene II

Scene III

Act IV

Scene I

Scene II

Scene III

Scene IV

Act V

Scene I

Scene II

Scene III

Scene IV

Scene V

Notes

About the Authors

PREFACE


Random House is proud to present this first modern edition of The Tragedy of Arthur by William Shakespeare.

Until now, Shakespeare’s dramatic canon consisted of thirty-eight or thirty-nine plays, depending on whose scholarship one trusted and whose edition of the Complete Works one owned. Thirty-six plays were included in the so-called First Folio of 1623, published seven years after the playwright’s death. Two more—collaborations, likely delayed for copyright reasons—were added to subsequent seventeenth-century collections. A thirty-ninth play, Edward III, has over the last two decades garnered increasing academic support as having been written, at least in part, by Shakespeare, but it was published only anonymously in his lifetime and is by no means universally acknowledged as a Shakespeare play. A further two works—Cardenio and Love’s Labour’s Won—are referred to in historical documents, but no copies of either have survived. Another dozen or so plays—the so-called Apocrypha—do exist and are debated, but none have acquired anything approaching scholarly consensus as being the work of Shakespeare.

The Tragedy of Arthur was published as a quarto in 1597. Its cover’s claim that the text is “newly

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