The Trail to Buddha's Mirror - Don Winslow [115]
We didn’t know then, of course, that Chairman Mao was just biding his time. We were once again very happy. We had our family and we had our dreams. I was to become a great painter and Hong was to be a great actress. We studied our arts and worked hard in school, and our evenings at home were wonderful. Mother was always curious about our work, and we always had to tell her about our day at school. I would show her my painting and Hong would perform. Father would come home late and then we would have to do it all over again, but that was wonderful, too.
And mother had been “rehabilitated.” She even began to write for the newspaper. We all went together for walks in the parks or strolls through the city streets or drives in the countryside. We often went to visit Dwaizhou, because the people there were our family now. It was a happy time and we were still children.
But our childhoods ended in 1966. Then the Great Proletarian Cultural Revolution turned all the children into Red Guards.
I was fifteen and it was springtime. Why do all the campaigns start in springtime? I was old enough then to have some small understanding of politics, so when the attacks began on Peng Zhen, the mayor of Beijing, I understood that it was really his sponsor, Deng Xiaoping, who was under attack. That was the method, you see—attack the subordinate to erode the ground beneath the superior, I was afraid, because Father worked for Deng. Then Chairman Mao himself attacked the Party professionals—such as Father—accusing them of taking the capitalist road, and we became very worried.
But also excited, because all the students at school were buzzing with Mao Thought and Making Revolution. We painted big posters supporting Chairman Mao and urging revolution. I felt badly, thinking that I was perhaps being disloyal to Father, but Hong explained that our duty to Chairman Mao and to the revolution came first, and that Father would be proud of us for our honest criticisms. She criticized our teachers for lack of revolutionary ardor and purity. She even criticized me for making “useless” paintings of hills and trees instead of “useful” paintings with revolutionary themes. I tried at first, but the pictures just would not come. Soon I did not make paintings at all.
Then the Red Guards began to appear, first in Beijing, then in Shanghai, soon after in Chengdu. Hong was one of the first to join, of course. She was so proud in her green uniform and red armband. I remember when she first walked into the house in her uniform. Mother turned pale and said nothing, and Father only observed that revolution was a complicated and sometimes painful thing. Hong was angry and said that they should support her in making revolution, in wiping out “The Four Olds”: Old Customs, Old Habits, Old Culture, Old Thinking. Father asked her if she wanted to wipe out Old China entirely, and she answered that the Red Guard was supporting Chairman Mao.
That August, Mao stood on Tiananmen Gate and reviewed a big parade of the Red Guard. That loosed the flood. Students all over China went crazy with power. Red Guard groups started everywhere, sometimes three or four groups in a single school! Mao officially announced the start of the Cultural Revolution. Students denounced teachers, professors, and party officials. They stopped going to classes. Schools shut down. All we did was make revolution.
I did as little as possible, but Hong was involved in everything. She marched with the Red Guard, she organized a theatrical troupe to act out revolutionary plays in the streets, she sometimes spent days away from home, staying at our school that the Red Guard had turned into a barracks.
Father was denounced that autumn. I was surprised and hurt that Deng joined the attack on Father to try to save himself. It didn’t work, of course, and Deng was toppled shortly after. The Red Guard went to Father’s office, tied his hands behind his back, and dragged him into the street. I was at home on the second floor of the house and heard