The Trees of Pride [16]
was knocked on the head, as with a stone club, by the human common sense of crime.
Cyprian Paynter stood long by the well in the wood, walked round it in meditation, examined its rim and the ring of grass about it, searched the surrounding soil thoroughly, came back and stood beside the well once more. His researches and reflections had been so long that he had not realized that the day had passed and that the wood and the world round it were beginning already to be steeped in the enrichment of evening. The day had been radiantly calm; the sea seemed to be as still as the well, and the well was as still as a mirror. And then, quite without warning, the mirror moved of itself like a living thing.
In the well, in the wood, the water leapt and gurgled, with a grotesque noise like something swallowing, and then settled again with a second sound. Cyprian could not see into the well clearly, for the opening, from where he stood, was an ellipse, a mere slit, and half masked by thistles and rank grass like a green beard. For where he stood now was three yards away from the well, and he had not yet himself realized that he had sprung back all that distance from the brink when the water spoke.
III. THE MYSTERY OF THE WELL
Cyprian Paynter did not know what he expected to see rise out of the well--the corpse of the murdered man or merely the spirit of the fountain. Anyhow, neither of them rose out of it, and he recognized after an instant that this was, after all, perhaps the more natural course of things. Once more he pulled himself together, walked to the edge of the well and looked down. He saw, as before, a dim glimmer of water, at that depth no brighter than ink; he fancied he still heard a faint convulsion and murmur, but it gradually subsided to an utter stillness. Short of suicidally diving in, there was nothing to be done. He realized that, with all his equipment, he had not even brought anything like a rope or basket, and at length decided to return for them. As he retraced his steps to the entrance, he recurred to, and took stock of, his more solid discoveries. Somebody had gone into the wood, killed the Squire and thrown him down the well, but he did not admit for a moment that it was his friend the poet; but if the latter had actually been seen coming out of the wood the matter was serious. As he walked the rapidly darkening twilight was cloven with red gleams, that made him almost fancy for a moment that some fantastic criminal had set fire to the tiny forest as he fled. A second glance showed him nothing but one of those red sunsets in which such serene days sometimes close.
As he came out of the gloomy gate of trees into the full glow he saw a dark figure standing quite still in the dim bracken, on the spot where he had left the woodcutter. It was not the woodcutter.
It was topped by a tall black hat of a funeral type, and the whole figure stood so black against the field of crimson fire that edged the sky line that he could not for an instant understand or recall it. When he did, it was with an odd change in the whole channel of his thoughts.
"Doctor Brown!" he cried. "Why, what are you doing up here?"
"I have been talking to poor Martin," answered the doctor, and made a rather awkward movement with his hand toward the road down to the village. Following the gesture, Paynter dimly saw another dark figure walking down in the blood-red distance. He also saw that the hand motioning was really black, and not merely in shadow; and, coming nearer, found the doctor's dress was really funereal, down to the detail of the dark gloves. It gave the American a small but queer shock, as if this were actually an undertaker come up to bury the corpse that could not be found.
"Poor Martin's been looking for his chopper," observed Doctor Brown, "but I told him I'd picked it up and kept it for him. Between ourselves, I hardly think he's fit to be trusted with it." Then, seeing the glance at his black garb, he added: "I've just been to a funeral. Did you know there's been another loss? Poor Jake
Cyprian Paynter stood long by the well in the wood, walked round it in meditation, examined its rim and the ring of grass about it, searched the surrounding soil thoroughly, came back and stood beside the well once more. His researches and reflections had been so long that he had not realized that the day had passed and that the wood and the world round it were beginning already to be steeped in the enrichment of evening. The day had been radiantly calm; the sea seemed to be as still as the well, and the well was as still as a mirror. And then, quite without warning, the mirror moved of itself like a living thing.
In the well, in the wood, the water leapt and gurgled, with a grotesque noise like something swallowing, and then settled again with a second sound. Cyprian could not see into the well clearly, for the opening, from where he stood, was an ellipse, a mere slit, and half masked by thistles and rank grass like a green beard. For where he stood now was three yards away from the well, and he had not yet himself realized that he had sprung back all that distance from the brink when the water spoke.
III. THE MYSTERY OF THE WELL
Cyprian Paynter did not know what he expected to see rise out of the well--the corpse of the murdered man or merely the spirit of the fountain. Anyhow, neither of them rose out of it, and he recognized after an instant that this was, after all, perhaps the more natural course of things. Once more he pulled himself together, walked to the edge of the well and looked down. He saw, as before, a dim glimmer of water, at that depth no brighter than ink; he fancied he still heard a faint convulsion and murmur, but it gradually subsided to an utter stillness. Short of suicidally diving in, there was nothing to be done. He realized that, with all his equipment, he had not even brought anything like a rope or basket, and at length decided to return for them. As he retraced his steps to the entrance, he recurred to, and took stock of, his more solid discoveries. Somebody had gone into the wood, killed the Squire and thrown him down the well, but he did not admit for a moment that it was his friend the poet; but if the latter had actually been seen coming out of the wood the matter was serious. As he walked the rapidly darkening twilight was cloven with red gleams, that made him almost fancy for a moment that some fantastic criminal had set fire to the tiny forest as he fled. A second glance showed him nothing but one of those red sunsets in which such serene days sometimes close.
As he came out of the gloomy gate of trees into the full glow he saw a dark figure standing quite still in the dim bracken, on the spot where he had left the woodcutter. It was not the woodcutter.
It was topped by a tall black hat of a funeral type, and the whole figure stood so black against the field of crimson fire that edged the sky line that he could not for an instant understand or recall it. When he did, it was with an odd change in the whole channel of his thoughts.
"Doctor Brown!" he cried. "Why, what are you doing up here?"
"I have been talking to poor Martin," answered the doctor, and made a rather awkward movement with his hand toward the road down to the village. Following the gesture, Paynter dimly saw another dark figure walking down in the blood-red distance. He also saw that the hand motioning was really black, and not merely in shadow; and, coming nearer, found the doctor's dress was really funereal, down to the detail of the dark gloves. It gave the American a small but queer shock, as if this were actually an undertaker come up to bury the corpse that could not be found.
"Poor Martin's been looking for his chopper," observed Doctor Brown, "but I told him I'd picked it up and kept it for him. Between ourselves, I hardly think he's fit to be trusted with it." Then, seeing the glance at his black garb, he added: "I've just been to a funeral. Did you know there's been another loss? Poor Jake