The Trinity Six - Charles Cumming [3]
‘What about him?’
‘What kind of man was he? What did he look like? All you’ve told me so far is that he wore a long black overcoat and sounded like somebody doing a bad impression of David Niven.’
Somers turned his head and stared at the far corner of the room.
‘Charlotte never told you?’
‘Told me what?’
Somers blinked rapidly and said: ‘Pass me that newspaper.’ There was a damp, discarded copy of The Times lying in a trickle of beer on the next-door table. A black girl listening to a pink iPod smiled her assent when Gaddis asked if he could take it. He straightened it out and handed the newspaper across the table.
‘You’ve heard of the Leighton Inquiry?’ Somers asked.
Leighton was a judicial inquiry into an aspect of government policy relating to the war in Afghanistan. Gaddis had heard of it. He had read the op-eds, caught the reports on Channel Four News.
‘Go on,’ he said.
Somers turned to page five. ‘You see this man?’
He flattened out the newspaper, spinning it through a hundred and eighty degrees. The nurse’s narrow, nail-bitten finger skewered a photograph of a man ducking into a government Rover on a busy London street. The man was in late middle-age and surrounded by a crush of reporters. Gaddis read the caption.
Sir John Brennan leaves Whitehall after giving evidence to the inquiry.
There was a smaller, formal Foreign Office portrait of Brennan set inside the main photograph. Gaddis looked up. Somers saw that he had made the connection.
‘Henderson is John Brennan? Are you sure?’
‘As sure as I’m sitting here looking at you.’ Somers drained his pint. ‘The man who paid me twenty grand sixteen years ago to cover everything up wasn’t just any old spook. The man who called himself Douglas Henderson in 1992 is now the head of MI6.’
Chapter 2
It was a long way from Daunt Books on Holland Park Avenue to that suburban September pub in West Hyde.
A month earlier, Gaddis had been launching his latest book – Tsars, a comparative study of Peter the Great and the current Russian president, Sergei Platov – at a bookshop in central London. His editor, the part-owner of a boutique publishing house which had paid the princely sum of £4750 for the book, hadn’t made it to the event. A lone diarist, on work experience at the Evening Standard, had poked her head around the door of the bookshop at six twenty-five, picked up a glass of room temperature Sauvignon Blanc and, having established that she had more chance of finding a story on the top deck of the number 16 bus, left after ten minutes. No celebrity historian, no literary editor, nor any representative of the BBC had replied to the invitations which the PR girl insisted had gone out – ‘first class’ – in the second week of July. A solitary notice in Saturday’s Independent had turned up one ashen-faced matriarch who had come ‘all the way from Hampstead because I so enjoyed your book on Bulgakov’, as well as a former student of Sam’s named Colin who claimed that he had spent the previous year ‘walking around Kazakhstan reading Herman Hesse’. The rest were staff – the manager of the shop, someone to operate the till – about a dozen colleagues and students from UCL, Sam’s next-door neighbour, Kath, who was highly-sexed and always opened the front door in her dressing-gown, and his close friend, the journalist Charlotte Berg.
Did Gaddis care that the new book would most probably disappear without trace? Yes and no. Though politically active, he was under no illusions that a single book could change attitudes to Sergei Platov. Tsars would be politely reviewed by the broadsheet press in London and dismissed in Moscow as Western propaganda. It had taken three years to write and would sell perhaps a thousand copies in hardback. Long ago, Gaddis had decided to write solely for the pleasure of writing: to expect greater rewards was to invite frustration. If the public enjoyed his books, he was happy; if they didn’t, so be it. They had better things to be spending their hard-earned cash on. He had no desire for fame, no innate interest in