The Trinity Six - Charles Cumming [81]
At the north end of Liegnitzer, Meisner turned left into Reichenberger Strasse, a broad residential street, now in semi-darkness. At one point, Tanya was no more than fifteen feet away from them, concealed in the gloom of her parked Audi. She saw Meisner reach for his keys as Gaddis followed him into the building. They both looked tense. There had not been time to install audio/visual in Meisner’s apartment, so she knew that whatever took place between them, whatever they discussed, would remain secret.
The building was a restored nineteenth-century apartment block with two flats on each level. Halfway up the stairs they passed a teenage Goth wearing torn denim jeans and a black leather jacket. She ignored Meisner and kept her head bowed as she walked past Gaddis, clomping down to the lobby. On the second floor, Meisner placed his key in the lock, opened the door of his apartment, and stepped inside.
Something caused him to pause on the threshold and Gaddis bunched up behind him as they walked in. He looked up. A gun had appeared from behind the door, levelled at the left side of Meisner’s head. In the same instant, a shot was fired, a shot almost without noise, which sent a spume of brain tissue thumping into a gilt mirror on the right-hand side of the passage. Instinctively, Gaddis put all of his weight against the door and forced it open. Meisner had slumped to the ground beneath him. He felt someone blocking the door on the other side and pushed harder. A man swore in Russian and Gaddis saw the gun fall out into the corridor.
He should have run. That would have been the smart thing to do. He should have closed the door and sprinted downstairs. But Meisner’s body was blocking the way. Instead, terrified that the Russian would pick up the gun, Gaddis went forward into the apartment and scrambled across a polished wooden floor. He could sense Meisner’s assailant behind him, already clambering to his feet, but he had time to reach the gun and to turn, levelling the barrel at the man’s body. The Russian came towards him and Gaddis fired.
The bullet hit Nicolai Doronin on the right side of the chest, just below the shoulder blade. There was a gasp of pain as he slumped to the ground, staring wildly at Gaddis. His finger still on the trigger, Gaddis fired again, this time out of panic. The second shot seemed to go through the man’s neck and there was a sharp crack, as if a wall or a door jamb had been hit. Gaddis had not fired a pistol since he was seventeen years old, shooting at targets in a field in Scotland, and he was bewildered by the power, by the simplicity of what he had done. He glanced down at the barrel and saw that a silencer had been fitted. That was why there had been no noise. All he could hear was the sound of his own breathing, as fast as if he had sprinted up the stairs. He looked back towards the door. There was blood on the walls, blood in the passage. Meisner wasn’t moving. The Russian was moaning and turning away from him, bunched up in a foetal crouch near the wall.
He should have stayed. He realized that later. But in that moment, in the aftermath of what he had seen and done, Gaddis wanted to be out of the building, as far from the apartment as possible. He moved towards Meisner and saw, to his horror, that the entire left side of his head had been completely removed. He was looking into a man’s brain and it was no more than a few shards of tissue and bloodied hair and he was almost sick on the floor. He did not look at the Russian. He knew that he did not have the courage to shoot him again nor to check if he was still alive. Had he killed a man tonight? He should have rung the police. He should have alerted a neighbour. But instead Gaddis sprinted, almost flew, in three-step leaps down the stairs