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The Two Towers - J. R. R. Tolkien [59]

By Root 1855 0
beds. The land was green: in the wet meads and along the grassy borders of the stream grew many willow-trees. Already in this southern land they were blushing red at their fingertips, feeling the approach of spring. Over the stream there was a ford between low banks much trampled by the passage of horses. The travellers passed over and came upon a wide rutted track leading towards the uplands.

At the foot of the walled hill the way ran under the shadow of many mounds, high and green. Upon their western sides the grass was white as with a drifted snow: small flowers sprang there like countless stars amid the turf.

‘Look!’ said Gandalf. ‘How fair are the bright eyes in the grass! Evermind they are called, simbelmynë in this land of Men, for they blossom in all the seasons of the year, and grow where dead men rest. Behold! we are come to the great barrows where the sires of Théoden sleep.’

‘Seven mounds upon the left, and nine upon the right,’ said Aragorn. ‘Many long lives of men it is since the golden hall was built.’

‘Five hundred times have the red leaves fallen in Mirkwood in my home since then,’ said Legolas, ‘and but a little while does that seem to us.’

‘But to the Riders of the Mark it seems so long ago,’ said Aragorn, ‘that the raising of this house is but a memory of song, and the years before are lost in the mist of time. Now they call this land their home, their own, and their speech is sundered from their northern kin.’ Then he began to chant softly in a slow tongue unknown to the Elf and Dwarf; yet they listened, for there was a strong music in it.

‘That, I guess, is the language of the Rohirrim,’ said Legolas; ‘for it is like to this land itself; rich and rolling in part, and else hard and stern as the mountains. But I cannot guess what it means, save that it is laden with the sadness of Mortal Men.’

‘It runs thus in the Common Speech,’ said Aragorn, ‘as near as I can make it.

Where now the horse and the rider? Where is the horn that was blowing?

Where is the helm and the hauberk, and the bright hair flowing?

Where is the hand on the harpstring, and the red fire glowing?

Where is the spring and the harvest and the tall corn growing?

They have passed like rain on the mountain, like a wind in the meadow;

The days have gone down in the West behind the hills into shadow.

Who shall gather the smoke of the dead wood burning,

Or behold the flowing years from the Sea returning?

Thus spoke a forgotten poet long ago in Rohan, recalling how tall and fair was Eorl the Young, who rode down out of the North; and there were wings upon the feet of his steed, Felaróf, father of horses. So men still sing in the evening.’

With these words the travellers passed the silent mounds. Following the winding way up the green shoulders of the hills, they came at last to the wide wind-swept walls and the gates of Edoras.

There sat many men in bright mail, who sprang at once to their feet and barred the way with spears. ‘Stay, strangers here unknown!’ they cried in the tongue of the Riddermark, demanding the names and errand of the strangers. Wonder was in their eyes but little friendliness; and they looked darkly upon Gandalf.

‘Well do I understand your speech,’ he answered in the same language; ‘yet few strangers do so. Why then do you not speak in the Common Tongue, as is the custom in the West, if you wish to be answered?’

‘It is the will of Théoden King that none should enter his gates, save those who know our tongue and are our friends,’ replied one of the guards. ‘None are welcome here in days of war but our own folk, and those that come from Mundburg in the land of Gondor. Who are you that come heedless over the plain thus strangely clad, riding horses like to our own horses? Long have we kept guard here, and we have watched you from afar. Never have we seen other riders so strange, nor any horse more proud than is one of these that bear you. He is one of the Mearas, unless our eyes are cheated by some spell. Say, are you not a wizard, some spy from Saruman, or phantoms of his craft? Speak now and be swift!’

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