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The Unknown Guest [3]

By Root 959 0
from the mind receiving the communication. It is most often manifested by a visual hallucination, more rarely by an auditory hallucination; and, as the most violent emotion which man can undergo is that which grips and overwhelms him at the approach or at the very moment of death, it is nearly always this supreme emotion which he sends forth and directs with incredible precision through space, if necessary across seas and continents, towards an invisible and moving goal. Again, though this occurs less frequently, a grave danger, a serious crisis can beget and transmit to a distance a similar hallucination. This is what the S. P. R. calls "phantasms of the living." When the hallucination takes place some time after the decease of the person whom it seems to evoke, be the interval long or short, it is classed among the "phantasms of the dead."

The latter, the so-called "phantasms of the dead," are the rarest. As F. W. H. Myers pointed out in his Human Personality, a consideration of the proportionate number of apparitions observed at various periods before and after death shows that they increase very rapidly for the few hours which precede death and decrease gradually during the hours and days which follow; while after about a year's time they become extremely rare and exceptional.

However exceptional they may be, these apparitions nevertheless exist and are proved, as far as anything can be proved, by abundant testimony of a very precise character. Instances will be found in the Proceedings, notably in vol. vi., pp. 13-65, etc.

Whether it be a case of the living, the dying, or the dead, we are familiar with the usual form which these hallucinations take. Indeed their main outlines hardly ever vary. Some one, in his bedroom, in the street, on a journey, no matter where, suddenly see plainly and clearly the phantom of a relation or a friend of whom he was not thinking at the time and whom he knows to be thousands of miles away, in America, Asia or Africa as the case may be, for distance does not count. As a rule, the phantom says nothing; its presence, which is always brief, is but a sort of silent warning. Sometimes it seems a prey to futile and trivial anxieties. More rarely, it speaks, though saying but little after all. More rarely still, it reveals something that has happened, a crime, a hidden treasure of which no one else could know. But we will return to these matters after completing this brief enumeration.

2

The phenomenon of haunted houses resembles that of the phantasms of the dead, except that here the ghost clings to the residence, the house, the building and in no way to the persons who inhabit it. By the second year of its existence, that is to say, 1884, the Committee on Haunted Houses of the S. P. R. had selected and made an analysis of some sixty-five cases out of hundreds submitted to it, twenty-eight of which rested upon first-hand and superior evidence.[1] It is worthy of remark, in the first place, that these authentic narratives bear no relation whatever to the legendary and sensational ghost-stories that still linger in many English and American magazines, especially in the Christmas numbers. They mention no winding-sheets, coffins, skeletons, graveyards, no sulphurous flames, curses, blood-curdling groans, no clanking chains, nor any of the time-honoured trappings that characterize this rather feeble literature of the supernatural. On the contrary, the scenes enacted in houses that appear to be really haunted are generally very simple and insignificant, not to say dull and commonplace. The ghosts are quite unpretentious and go to no expense in the matter of staging or costume. They are clad as they were when, sometimes many years ago, they led their quiet, unadventurous life within their own home. We find in one case an old woman, with a thin grey shawl meekly folded over her breast, who bends at night over the sleeping occupants of her old home, or who is frequently encountered in the hall or on the stairs, silent, mysterious, a little grim. Or else it is the gentleman with a lacklustre
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