The Unseen World and Other Essays [65]
the "Provincial Letters." Goetze found that he had taken up arms against a master in the arts of controversy, and before long he became well aware that he was worsted. Having brought the case before the Aulic Council, which consisted in great part of Catholics, the stout pastor, forgetting that judgment had not yet been rendered, allowed himself to proclaim that all who do not recognize the Bible as the only source of Christianity are not fit to be called Christians at all. Lessing was not slow to profit by this unlucky declaration. Questioned, with all manner of ferocious vituperation, by Goetze, as to what sort of Christianity might have existed prior to and independently of the New Testament canon, Lessing imperturbably answered: "By the Christian religion I mean all the confessions of faith contained in the collection of creeds of the first four centuries of the Christian Church, including, if you wish it, the so-called creed of the apostles, as well as the creed of Athanasius. The content of these confessions is called by the earlier Fathers the regula fidei, or rule of faith. This rule of faith is not drawn from the writings of the New Testament. It existed before any of the books in the New Testament were written. It sufficed not only for the first Christians of the age of the apostles, but for their descendants during four centuries. And it is, therefore, the veritable foundation upon which the Church of Christ is built; a foundation not based upon Scripture." Thus, by a master-stroke, Lessing secured the adherence of the Catholics constituting a majority of the Aulic Council of the Empire. Like Paul before him, he divided the Sanhedrim. So that Goetze, foiled in his attempts at using violence, and disconcerted by the patristic learning of one whom he had taken to be a mere connoisseur in art and writer of plays for the theatre, concluded that discretion was the surest kind of valour, and desisted from further attacks.
Lessing's triumph came opportunely; for already the ministry of Brunswick had not only confiscated the Fragments, but had prohibited him from publishing anything more on the subject without first obtaining express authority to do so. His last replies to Goetze were published at Hamburg; and as he held himself in readiness to depart from Wolfenbuttel, he wrote to several friends that he had conceived the design of a drama, with which he would tear the theologians in pieces more than with a dozen Fragments. "I will try and see," said he, "if they will let me preach in peace from my old pulpit, the theatre." In this way originated "Nathan the Wise." But it in no way answered to the expectations either of Lessing's friends or of his enemies. Both the one and the other expected to see the controversy with Goetze carried on, developed, and generalized in the poem. They looked for a satirical comedy, in which orthodoxy should be held up for scathing ridicule, or at least for a direful tragedy, the moral of which, like that of the great poem of Lucretius, should be
"Tantum religio potuit suadere malorum."
Had Lessing produced such a poem, he would doubtless have gratified his free-thinking friends and wreaked due literary vengeance upon his theological persecutors. He would, perhaps, have given articulate expression to the radicalism of his own time, and, like Voltaire, might have constituted himself the leader of the age, the incarnation of its most conspicuous tendencies. But Lessing did nothing of the kind; and the expectations formed of him by friends and enemies alike show how little he was understood by either. "Nathan the Wise" was, as we shall see, in the eighteenth century an entirely new phenomenon; and its author was the pioneer of a quite new religious philosophy.
Reimarus, the able author of the Fragments, in his attack upon the evidences of revealed religion, had taken the same ground as Voltaire and the old English deists. And when we have said this, we have sufficiently defined his position, for the tenets of the deists are at the present day pretty well known, and are,
Lessing's triumph came opportunely; for already the ministry of Brunswick had not only confiscated the Fragments, but had prohibited him from publishing anything more on the subject without first obtaining express authority to do so. His last replies to Goetze were published at Hamburg; and as he held himself in readiness to depart from Wolfenbuttel, he wrote to several friends that he had conceived the design of a drama, with which he would tear the theologians in pieces more than with a dozen Fragments. "I will try and see," said he, "if they will let me preach in peace from my old pulpit, the theatre." In this way originated "Nathan the Wise." But it in no way answered to the expectations either of Lessing's friends or of his enemies. Both the one and the other expected to see the controversy with Goetze carried on, developed, and generalized in the poem. They looked for a satirical comedy, in which orthodoxy should be held up for scathing ridicule, or at least for a direful tragedy, the moral of which, like that of the great poem of Lucretius, should be
"Tantum religio potuit suadere malorum."
Had Lessing produced such a poem, he would doubtless have gratified his free-thinking friends and wreaked due literary vengeance upon his theological persecutors. He would, perhaps, have given articulate expression to the radicalism of his own time, and, like Voltaire, might have constituted himself the leader of the age, the incarnation of its most conspicuous tendencies. But Lessing did nothing of the kind; and the expectations formed of him by friends and enemies alike show how little he was understood by either. "Nathan the Wise" was, as we shall see, in the eighteenth century an entirely new phenomenon; and its author was the pioneer of a quite new religious philosophy.
Reimarus, the able author of the Fragments, in his attack upon the evidences of revealed religion, had taken the same ground as Voltaire and the old English deists. And when we have said this, we have sufficiently defined his position, for the tenets of the deists are at the present day pretty well known, and are,