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The valley of horses_ a novel - Jean M. Auel [326]

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that: an accent, but of a language most people had not heard and would not even recognize as speech. Ayla spoke with the accent of the difficult, guttural, vocally limited language of the people who had taken in the young orphan girl and raised her.

“I was not born to the Mamutoi,” Ayla said, still holding Wolf back, though his growl had ceased. “I was adopted by the Mammoth Hearth, by Mamut, himself.”

There was a flurry of conversation among the people, and another private consultation between the mamut and the woman and man.

“If you are not of the spirit world, how do you control that wolf and make horses take you on their backs?” the mamut asked, deciding to come right out with it.

“It’s not hard to do if you find them when they are young,” Ayla said.

“You make it sound so simple. There must be more to it than that.” The woman couldn’t fool a mamut, who was also of the Mammoth Hearth.

“I was there when she brought the wolf pup to the lodge,” Jondalar tried to explain. “He was so young that he was still nursing, and I was sure he would die. But she fed him cut-up meat and broth, waking up in the middle of the night as you do with a baby. When he lived, and started to grow, everyone was surprised, but that was only the beginning. Later, she taught him to do what she wished—not to pass water or make messes inside the lodge, not to snap at the children even when they hurt him. If I hadn’t been there, I would not have believed a wolf could be taught so much or would understand so much. It’s true, you must do more than find them young. She cared for him like a child. She is a mother to that animal, that’s why he does what she wants.”

“What about the horses?” the man who was standing beside the shaman asked. He’d been eying the spirited stallion, and the tall man who was controlling him.

“It is the same with the horses. You can teach them if you find them young and take care of them. It takes time and patience, but they will learn.”

The people had lowered their spears and were listening with great interest. Spirits weren’t known to speak in ordinary language, although all the talk of mothering animals was just the kind of strange talk that spirits were known for—words that were not quite what they seemed.

Then the woman of the Camp spoke. “I don’t know about being a mother to animals, but I do know that the Mammoth Hearth doesn’t adopt strangers and make them Mamutoi. It’s not an ordinary hearth. It is dedicated to Those Who Serve the Mother. People choose the Mammoth Hearth, or are chosen. I have kin in the Lion Camp. Mamut is very old, perhaps the oldest man living. Why would he want to adopt anyone? And I don’t think Lutie would have allowed it. What you say is very difficult to believe, and I don’t know why we should.”

Ayla sensed something ambiguous in the way the woman spoke, or rather in the subtle mannerisms that accompanied her words: the stiffness of her back, the tension in the set of her shoulders, the anxious frown. She seemed to be anticipating something unpleasant. Then Ayla realized that it wasn’t a slip of the tongue; the woman had purposely put a lie in her statement, a subtle trick in her question. But because of her unique background, the trick was blatantly transparent.

The people who had raised Ayla, known as flatheads, but who called themselves Clan, communicated with depth and precision, though not primarily with words. Few people understood they had a language at all. Their ability to articulate was limited and they were often reviled as less than human, animals that could not talk. They used a language of gestures and signs, but it was no less complex.

The relatively few words the Clan spoke—which Jondalar could hardly reproduce, just as she was not quite able to pronounce certain sounds in Zelandonii or Mamutoi—were made with a peculiar kind of vocalization, and they were usually used for emphasis, or for names of people or things. Nuances and fine shades of meaning were indicated by bearing, posture, and facial aspects, which added depth and variety to the language, just as tones and

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