The Vampire Armand - Anne Rice [147]
Daniel, though alive and wandering, though civil and gentle, can no more stand my company than I can stand his. Equipped with my powerful blood, he can contend with any who should be foolish enough to interrupt his plans for an evening, a month or a year, but he cannot contend with my continuous company, and I cannot contend with his.
I turned Daniel from a morbid romantic into a true killer; I made real in his natural blood cells the horror that he so fancied he understood in mine. I pushed his face into the flesh of the first young innocent he had to slaughter for his inevitable thirst, and thereby fell off the pedestal on which he’d placed me in his demented, overimaginative, feverishly poetical and ever exuberant mortal mind.
But I had others around me when I lost Daniel, or rather when gaining Daniel as a fledgling, I lost him as a mortal lover and gradually began to let him go.
I had others because I had again, for reasons that I cannot explain to myself or anyone, made yet another Coven—another successor to the Paris Coven of Les Innocents, and the Théâtre des Vampires, and this was a swank, modern hiding place for the most ancient, the most learned, the most enduring of our kind. It was a honeycomb of luxurious chambers hidden in that most concealing of edifices—a modern resort hotel and shopping palace on an island off the coast of Miami, Florida, an island on which the lights never went out and the music never ceased to play, an island where men and women came by the thousands in small boats from the mainland to browse the expensive boutiques, or to make love in opulent, decadent, magnificent and always fashionable hotel suites and rooms.
“The Night Island,” that was my creation, with its own copter pad and marina, its secret illegal gambling casinos, its mirror-lined gymnasiums and overheated swimming pools, its crystal fountains, its silver escalators, its emporium of dazzling consumables, its bars, taverns, lounges and theaters where I myself, decked out in smart velvet jackets, tight denim pants and heavy black glasses, hair clipped each night (for it grows back to its Renaissance length each day), could roam in peace and anonymity, swimming in the soft caressing murmurs of the mortals around me, searching out when thirst prompted it that one individual who truly wanted me, that one individual who for reasons of health or poverty or sanity or insanity wanted to be taken into the tentative and never overpowering arms of death and sucked free of all blood and all life.
I didn’t go hungry. I dropped my victims in the deep warm clean waters of the Caribbean. I opened my doors to any of the Undead who would wipe their boots before entering. It was like the old days of Venice, with Bianca’s palazzo open to all ladies and gentlemen, indeed, to all artists, poets, dreamers and schemers who dared to present themselves, had come again.
Well, they had not come again.
It took no bunch of black-robed tramps to disperse the Coven of The Night Island. Indeed those who were couched there for a short while simply wandered off on their own. Vampires do not really want the company of other vampires. They want the love of other immortals, yes, always, and they need it, and they need the deep bonds of loyalty which inevitably grow amongst those who refuse to become enemies. But they don’t want the company.
And my splendid glass-walled drawing rooms on The Night Island were soon empty, and I myself had long before that started to wander for weeks, even months on my own.
It is there still, The Night Island. It is there, and now and then I do go back, and I find there some lone immortal who has checked in, as we say in the modern age, to see how it goes with the rest of us, or with some other who might be visiting as well. The great enterprise I sold for a mortal