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The Vampire Armand - Anne Rice [36]

By Root 1031 0
me again.

“Little man, manikin, elf,” he whispered. “Would you be so for eternity? Haven’t you lain with me often enough to know what I can and cannot enjoy?”

I won him over, captive to me, for the last hour before he was off.

But the next night he dispatched me to a more clandestine and even more luxurious house of pleasure, a house which kept for the passions of others only young boys.

It was got up in Eastern style, and I think it blended the luxuries of Egypt with those of Babylon, its small cells made up of golden latticework, and colonnettes of brass studded with lapis lazuli holding up the salmon-colored drapery of the ceilings over tasseled couches of gilt wood and damask-covered down. Incense made the air heavy, and the lights were soothingly low.

The naked boys, well fed, nubile, smooth and rounded of limb, were eager, strong, tenacious, and brought to the games their own rampant male desires.

It seemed my soul was a pendulum that swung between the hearty pleasure of conquest and the swooning surrender to stronger limbs, and stronger wills, and stronger hands that tossed me tenderly about.

Captive between two skilled and willful lovers, I was pierced and suckled, pummeled and emptied until I slept as soundly as ever I had without the Master’s magic at home.

It was only the beginning.

Sometime in my drunken sleep, I woke to find myself surrounded by beings that seemed neither male nor female. Only two of them were eunuchs, cut with such skill they could raise their trusty weapons as well as any boy. The others merely shared the taste of their companions for paint. All had eyes lined in black and shaded in purple, with lashes curled and glazed to give their expressions an eerie fathomless aloofness. Their rouged lips seemed tougher than those of women and more demanding, pushing at me in their kisses as if the male element which had given them muscles and hard organs had given them as well a virility to their very mouths. They had the smiles of angels. Gold rings decorated their nipples. Their nether hair was powdered with gold.

I made no protest when they overcame me. I feared no extreme, and even let them bind my wrists and ankles to the bed, so they could better work their craft. It was impossible to fear them. I was crucified with pleasure. Their insistent fingers would not even allow me to close my eyes. They stroked my lids, they forced me to look. They brought soft thick brushes down over my limbs. They rubbed oils into all my skin. They sucked from me, as if it were nectar, the fiery sap I gave forth, over and over, until I cried out vainly that I could give no more. A count was kept of my “little deaths” with which to taunt me playfully, and I was turned over and cuffed and pinioned as I tumbled down into rapturous sleep.

When I awoke I knew no time or worry. The thick smoke of a pipe rose into my nostrils. I took it and sucked on it, savoring the dark familiar smell of hemp.

I stayed there for four nights.

Again, I was delivered.

This time I found myself, groggy and in dishabille, barely covered by a thin torn cream-colored silk shirt. I lay on a couch brought from the very brothel, but this was my Master’s studio, and there he sat, not far away, painting my picture obviously, at a small easel from which he took his eyes only to dart glances at me.

I asked the time of day and what night it was. He didn’t answer.

“And so you’re angry that I enjoyed it?” I asked.

“I told you to lie still,” he said.

I lay back, cold all over, and hurt suddenly, lonely perhaps, and wanting like a child to hide in his arms.

Morning came and he left me, having said nothing else. The painting was a gleaming masterpiece of the obscene. I was in my sleeping posture cast down on a riverbank, a fawn of sorts, over which a tall shepherd, the Master himself, in priestly robes stood watch. The woods around us were thick and richly realized with the peeling tree trunks and their clustered dusty leaves. The water of the stream seemed wet to the touch, so clever was the realism of it, and my own figure appeared guileless

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