The Vampire Armand - Anne Rice [82]
“Rise up, Amadeo, once more.”
Oh, it was easy to make this climb, to reach for his arm and then his shoulder. I broke the flesh of his neck. I drank. The blood washed through me, once again revealing my entire form with a shock against the blackness of my mind. I saw the boy’s body that was mine, of arms and legs, as with this form I breathed in the warmth and light around me, as if all of me had become one great multipored organ for seeing, for hearing, for breathing. I breathed with millions of minute and strong tiny mouths.
The blood filled me so that I could take no more.
I stood before my Master. In his face I saw but the hint of weariness, but the smallest pain in his eyes. I saw for the first time the true lines of his old humanity in his face, the soft inevitable crinkles at the corners of his serenely folded eyes.
The drapery of his robe glistened, the light traveling on it as the cloth moved with his small gesture. He pointed. He pointed to the painting of The Procession of the Magi.
“Your soul and your physical body are now locked together forever,” he said. “And through your vampiric senses, the sense of sight, and of touch, and of smell, and of taste, you’ll know all the world. Not from turning away from it to the dark cells of the Earth, but through opening your arms to endless glory will you perceive the absolute splendor of God’s creation and the miracles wrought, in His Divine Indulgence, by the hands of men.”
The silk-clad multitudes of The Procession of the Magi appeared to move. Once more I heard the horses’ hooves on the soft earth, and the shuffle of booted feet. Once more I thought I saw the distant hounds leap on the mountainside. I saw the masses of flowered shrubbery wobble with the press of the gilded procession against them; I saw petals fly from the flowers. Marvelous animals frolicked in the thick wood. I saw the proud Prince Lorenzo, astride his mount, turn his youthful head, just as my Father had done, and look at me. On and on went the world beyond him, the world with its white rocky cliffs, its hunters on their brown steeds and its leaping prancing dogs.
“It’s gone forever, Master,” I said, and how rounded and resonant was my voice, responding to all that I beheld.
“What is that, my child?”
“Russia, the world of the wild lands, the world of those dark terrible cells within the moist Mother Earth.”
I turned around and around. Smoke rose from the wilderness of burning candles. Wax crawled and dripped over the chased silver that held them, dripping even to the spotless and shimmering floor. The floor was as the sea, so transparent suddenly, so silken, and high above the painted clouds in illimitable sweetest blue. It seemed a mist emanated from these clouds, a warm summer mist made up of mingling land and sea.
Once again, I looked at the painting. I moved towards it and threw out my hands against it, and stared upwards at the white castles atop the hills, at the delicate groomed trees, at the fierce sublime wilderness that waited so patiently for the sluggish journey of my crystal-clear gaze.
“So much!” I whispered. No words could describe the deep colors of brown and gold in the beard of the exotic magus, or the shadows at play in the painted head of the white horse, or in the face of the balding man who led him, or the grace of the arch-necked camels or the crush of rich flowers beneath soundless feet.
“I see it with all of me,” I sighed. I closed my eyes and lay against it, recalling perfectly all aspects as the dome of my mind became this room itself, and the wall was there colored and painted by me. “I see it without any omission. I see it,” I whispered.
I felt my Master’s arms around my chest. I felt his kiss on my hair.
“Can you see again the glassy city?” he asked.
“I can make it!” I cried. I let my head roll back against his chest. I opened my eyes, and drew out of the riot of painting before me the very colors I wanted, and made