The Vampire Chronicles Collection - Anne Rice [139]
“I put my hands under my head and gazed at the chandelier; it was hard to disengage myself from one world and enter the other. And Madeleine, on the couch, was working with that regular passion, as if immortality could not conceivably mean rest, sewing cream lace to lavender satin for the small bed, only stopping occasionally to blot the moisture tinged with blood from her white forehead.
“I wondered, if I shut my eyes, would this realm of tiny things consume the rooms around me, and would I, like Gulliver, awake to discover myself bound hand and foot, an unwelcome giant? I had a vision of houses made for Claudia in whose garden mice would be monsters, and tiny carriages, and flowery shrubbery become trees. Mortals would be so entranced, and drop to their knees to look into the small windows. Like the spider’s web, it would attract.
“I was bound hand and foot here. Not only by that fairy beauty—that exquisite secret of Claudia’s white shoulders and the rich luster of pearls, bewitching languor, a tiny bottle of perfume, now a decanter, from which a spell is released that promises Eden—I was bound by fear. That outside these rooms, where I supposedly presided over the education of Madeleine—erratic conversations about killing and vampire nature in which Claudia could have instructed so much more easily than I, if she had ever showed the desire to take the lead—that outside these rooms, where nightly I was reassured with soft kisses and contented looks that the hateful passion which Claudia had shown once and once only would not return—that outside these rooms, I would find that I was, according to my own hasty admission, truly changed: the mortal part of me was that part which had loved, I was certain. So what did I feel then for Armand, the creature for whom I’d transformed Madeleine, the creature for whom I had wanted to be free? A curious and disturbing distance? A dull pain? A nameless tremor? Even in this worldly clutter, I saw Armand in his monkish cell, saw his dark-brown eyes, and felt that eerie magnetism.
“And yet I did not move to go to him. I did not dare discover the extent of what I might have lost. Nor try to separate that loss from some other oppressive realization: that in Europe I’d found no truths to lessen loneliness, transform despair. Rather, I’d found only the inner workings of my own small soul, the pain of Claudia’s, and a passion for a vampire who was perhaps more evil than Lestat, for whom I became as evil as Lestat, but in whom I saw the only promise of good in evil of which I could conceive.
“It was all beyond me, finally. And so the clock ticked on the mantel; and Madeleine begged to see the performances of the Théâtre des Vampires and swore to defend Claudia against any vampire who dared insult her; and Claudia spoke of strategy and said, ‘Not yet, not now,’ and I lay back observing with some measure of relief Madeleine’s love for Claudia, her blind covetous passion. Oh, I have so little compassion in my heart or memory for Madeleine. I thought she had only seen the first vein of suffering; she had no understanding of death. She was so easily sharpened, so easily driven to wanton violence. I supposed in my colossal conceit and self-deception that my own grief for my dead brother was the only true emotion. I allowed myself to forget how totally I had fallen in love with Lestat’s iridescent eyes, that I’d sold my soul for a many-colored and luminescent thing, thinking that a highly reflective surface conveyed the power to walk on water.
“What would Christ need have done to make me follow Him like Matthew or Peter? Dress well, to begin with. And have a luxurious head of pampered yellow hair.
“I hate myself. And it seemed, lulled half to sleep as I was so often by their conversation—Claudia whispering of killing and speed and vampire craft, Madeleine bent over her singing needle—it seemed then the only