The Vampire Chronicles Collection - Anne Rice [580]
Armand in this strange wooden house at the base of the mountain? Armand again after all this time? Santino had told him about Armand also, and that the others—Louis and Gabrielle—had also been spared.
Mael was studying him. “He’s waiting for you,” he said. “Your Amadeo.” It was respectful, not cynical or impatient.
And out of the great bank of memories that Marius carried forever with him, there came a long neglected moment, startling in its purity—Mael coming to the palazzo in Venice in the contented years of the fifteenth century, when Marius and Armand had known such happiness, and Mael seeing the mortal boy at work with the other apprentices on a mural which Marius had only lately left to their less competent hands. Strange how vivid, the smell of the egg tempera, the smell of the candles, and that familiar smell—not unpleasant now in remembering—which permeated all Venice, the smell of the rottenness of things, of the dark and putrid waters of the canals. “And so you would make that one?” Mael had asked with simple directness. “When it’s time,” Marius had said dismissively, “when it’s time.” Less than a year later, he had made his little blunder. “Come into’ my arms, young one, I can live without you no more.”
Marius stared at the distant house. My world trembles and I think of him, my Amadeo, my Armand. The emotions he felt were suddenly as bittersweet as music, the blended orchestral melodies of recent centuries, the tragic strains of Brahms or Shostakovich which he had come to love.
But this was no time for cherishing this reunion. No time to feel the keen warmth of it, to be glad of it, and to say all the things to Armand that he so wanted to say.
Bitterness was something shallow compared to his present state of mind. Should have destroyed them, the Mother and the Father. Should have destroyed us all.
“Thank the gods,” Mael said, “that you did not.”
“And why?” Marius demanded. “Tell me why?”
Pandora shuddered. He felt her arm come around his waist. And why did that make him so angry? He turned sharply to her; he wanted to strike her, push her away. But what he saw stopped him. She wasn’t even looking at him; and her expression was so distant, so soul weary that he felt his own exhaustion all the more heavily. He wanted to weep. The well-being of Pandora had always been crucial to his own survival. He did not need to be near her—better that he was not near her—but he had to know that she was somewhere, and continuing, and that they might meet again. What he saw now in her—had seen earlier—filled him with foreboding. If he felt bitterness, then Pandora felt despair.
“Come,” Santino said, “they’re waiting.” It was said with courtly politeness.
“I know,” Marius answered.
“Ah, what a trio we are!” Pandora whispered suddenly. She was spent, fragile, hungering for sleep and dreams, yet protectively she tightened her grip on Marius’s waist.
“I can walk unaided, thank you,” he said with uncharacteristic meanness, and to this one, the one he most loved.
“Walk, then,” she answered. And just for a second, he saw her old warmth, even a spark of her old humor. She gave him a little shove, and then started out alone towards the house.
Acid. His thoughts were acid as he followed. He could not be of use to these immortals. Yet he walked on with Mael and Santino into the light streaming from the windows beyond. The redwood forest receded into shadow; not a leaf moved. But the air was good here, warm here, full of fresh scents and without the sting of the north.
Armand. It made him want to weep.
Then he saw the woman appear in the doorway. A sylph with her long curly red hair catching the hallway light.
He did not stop, but surely he felt a little intelligent fear. Old as Akasha she was, certainly. Her pale eyebrows were all but faded into the radiance of her countenance. Her mouth had no color anymore. And her eyes.… Her eyes were not really