The Wapshot Chronicle - John Cheever [102]
He pushed the general’s chair into the elevator and pressed the button for the third floor. The elevator rose slowly and the cables gave off a very mournful sound, but filled again with stubborn joy Moses was insensitive to the premonitory power of such lifts and elevators—the elevators in loft buildings, castles, hospitals and warehouses—that, infirm and dolorous to hear, seem to touch on our concepts of damnation. “Thank you, Mr. Wapshot,” the old man said when Moses had wheeled his chair to the door. “I’ll be all right now. We’re very glad to have you with us. Melissa has been very unhappy, very unhappy and unsettled. Good night.” Back in his own room Moses shucked his clothes, brushed his teeth and stepped out onto the balcony of his room, where the rain still fell, making in the grass and the leaves a mealy sound. He smiled broadly with a great love of the world and everything in it and then, in his skin, started the climb over the roofs.
This seemed to be the greatest of the improbabilities at Clear Haven but considering what it was that he sought, to be a naked man scrambling over the leads presented nothing that was actually very irregular or perplexing. The rain on his skin and hair felt fresh and soft and the chaos of wet roofs fitted easily into the picture of love; and it was the roofs of Clear Haven, to be seen only by the birds or a stray airplane, where the architect had left bare the complexity of his task—in a sense his defeat—for here all the random majesty of the place appeared spatchcocked, rectified and jumbled; here, hidden in the rain, were the architect’s secrets and most of his failures. Peaked roofs, flat roofs, pyramidal roofs, roofs inset with stained-glass skylights and chimneys and bizarre systems of drainage stretched for a quarter of a mile or more, shining here and there in the light from a distant dormer window like the roofs of a city.
As far as he could see in the rainy dark the only way to get to the other side of the house lay past this distant row of dormers and he had started for them when a length of wire, stretched knee-high across a part of the roof, tripped him up. It was an old radio aerial, he guessed charitably, since he was not hurt, and started off again. A few minutes later he passed a rain-soaked towel and a bottle of sun-tan lotion and still further along there was an empty bottle of vermouth, making the roof seem like a beach on which someone, unknown he felt sure to Justina, had stretched out his bones in the sun. As he approached the ledge to the first lighted dormer he saw straight into a small room, decked with religious pictures, where an old servant was ironing. The lights in the next window were pink, and glancing in briefly he was surprised to see the Count D’Alba standing in front of a full-length mirror without any clothes on. The next window was Mrs. Enderby’s and she sat at a desk, dressed as she had been at dinner, writing in a book. He had gone out of the range of her desk light when his right foot, seeking a hold, moved off into nothing but the rainy dark and only by swinging and throwing his weight onto the slates did he keep from falling. What he had missed was an airshaft that cut straight through the three stories of the hall and that would have been the end of him. He peered down at this, waiting for the chemistry of his alarmed body to quiet and listening then to see if Mrs. Enderby or the others had heard the noise he made when he threw himself down. Everything was quiet and he made the rest of his climb more slowly, swinging down at last onto the balcony of Melissa’s room where he stood outside her window, watching her brush her hair. She sat at a table by a mirror and her nightgown was transparent so that even in the dim light of the room he could see the fullness of her breasts, parting a little as she leaned toward the mirror.
“You’re drenched,