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The War Of The End Of The World - Mario Vargas Llosa [338]

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and they abandon their position, but an hour later the jagunços are driven out, with heavy losses. General Oscar and the officers conclude that the object of this attack was to protect the trenches at Fazenda Velha. All the officers therefore propose that they be occupied, by any possible means: this will hasten the surrender of this jagunço redoubt. General Oscar has three machine guns brought down from A Favela to the “black line.”

That day the gaucho lancers return to camp with thirty head of cattle. The troops have a great feast, which puts everyone in a better humor. General Oscar inspects the two field hospitals, where final preparations are being made to evacuate the sick and wounded. In order to avoid long, heartrending farewell scenes, he has decided not to announce the names of those who will be making the journey till the very last moment, just as they are about to depart.

That afternoon, the artillerymen show him, in jubilation, four boxes full of shells for the Krupp 7.5s that a patrol has found along the road from As Umburanas. The projectiles are in perfect condition, and General Oscar authorizes what First Lieutenant Macedo Soares, the officer in charge of the cannons at A Favela, calls a “fireworks display.” Sitting right next to the cannon, with his ears stopped up with cotton, like the servers of the pieces, the general witnesses the firing of sixty shells, all of them aimed at the heart of the traitors’ resistance. Amid the great cloud of dust that the explosions raise, he anxiously observes the tall, massive towers that he knows are swarming with fanatics. Though they are chipped and full of gaping holes, they have not given way. How can the bell tower of the Church of Santo Antônio, which looks like a sieve and is leaning worse than the famous Tower of Pisa, still be standing? All during the bombardment, he eagerly hopes to see that tower reduced to ruins. God ought to grant him this favor, so as to help raise his spirits a bit. But the tower does not fall.

The next morning, he is up at dawn to see the wounded off. Sixty officers and four hundred eighty men are going back to Monte Santo, all those the doctors believe strong enough to survive the journey. Among them is the commander of the second column, General Savaget, whose wound in the abdomen has kept him out of action ever since his arrival at A Favela. General Oscar is happy to see him leave, for though their relations are cordial, he feels uncomfortable in the presence of this general without whose aid, he is certain, the first column would have been wiped out. The fact that the bandits were capable of luring him into this sort of abattoir through the use of extremely clever tactics has left General Oscar still convinced, despite the lack of any further proof, that the jagunços may have monarchist officers, or even English ones, advising them. This possibility is no longer mentioned, however, at staff meetings.

The farewell between the wounded who are leaving and those who are remaining behind is not a heartrending scene, with tears and protests, as he had feared, but a sober, solemn one. Those departing and those staying embrace each other in silence, exchange messages, and the ones who are weeping try to hide their tears. He had planned to give those leaving enough rations for four days, but the lack of supplies forces him to reduce this to one day’s rations. The battalion of gaucho lancers, who will scour up food for the wounded on the journey, leaves with them. They are also escorted by the Thirty-third Infantry Battalion. As he sees them move slowly off in the early dawn light, miserable, half starved, their uniforms in tatters, many of them barefoot, he tells himself that when they arrive in Monte Santo—those who do not succumb along the way—they will be in an even worse state than they are now: perhaps his superiors will then understand how critical the situation is and send the reinforcements.

The departure of the expedition leaves behind an atmosphere of gloom and sadness among the men on A Favela and in the “black line.” The morale

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