The War Of The End Of The World - Mario Vargas Llosa [346]
Why was the Father subjecting the saint to such agony? Why did He want him to spend his last moment defecating, defecating, even though what flowed from his body was manna? The Lion of Natuba, Mother Maria Quadrado, and the women of the Choir do not understand this. The Little Blessed One has tried to explain it and prepare them: “The Father does not want him to fall into the hands of the dogs. If He takes him to Him, it is so that he will not be humiliated. But at the same time He does not want us to believe that He is freeing him from pain, from doing penance. That is why He is making him suffer, before giving him his recompense.” Father Joaquim has told him that he did well to prepare them; he, too, fears that the Counselor’s death will upset them, will wrest impious protests from their lips, reactions that are harmful to their souls. The Dog is lying in wait and would not miss an opportunity to seize upon this prey.
He realizes that the shooting has begun again—a heavy, steady, circular fusillade—when the door of the Sanctuary is opened. Antônio Vilanova is standing there. With him are Abbot João, Pajeú, Big João, exhausted, sweaty, reeking of gunpowder, but with radiant faces: they have learned the news that he has spoken, that he is alive.
“Here is Antônio Vilanova, Father,” the Lion of Natuba says, rising up on his hind limbs toward the Counselor.
The Little Blessed One holds his breath. The men and women crowded into the room—they are so cramped for space that none of them can raise his or her arms without hitting a neighbor—are gazing in rapt suspense at that mouth without lips or teeth, that face that resembles a death mask. Is he going to speak, is he going to speak? Despite the noisy chatter of the guns outside, the Little Blessed One hears once again the unmistakable little trickling sound. Neither Maria Quadrado nor the women make a move to clean him. They all remain motionless, bending over the pallet, waiting.
The Superior of the Sacred Choir brings her mouth down next to the ear covered with grizzled locks of hair and repeats: “Here is Antônio Vilanova, Father.”
The Counselor’s eyelids flutter slightly and his mouth opens just a bit. The Little Blessed One realizes that he is trying to speak, that his weakness and his pain do not allow him to utter a single sound, and he begs the Father to grant the Counselor that grace, offering in return to suffer any torment himself, when he hears the beloved voice, so feeble now that every head in the room leans forward to listen: “Are you there, Antônio? Can you hear me?”
The former trader falls to his knees, takes one of the Counselor’s hands in his, and kisses it reverently. “Yes, Father, yes, Father.” He is drenched with sweat, his face is puffy, he is panting for breath and trembling. The Little Blessed One feels envious of his friend. Why is Antônio the one who has been called, and not him? He reproaches himself