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The Wars of the Roses - Alison Weir [19]

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any political duty. The chronicler John Hardyng described Edmund as a cheerful and well-meaning man who ‘lived without wrong’, but whose abilities did not match the role his birth dictated.

Edmund was staunchly loyal to his brother, Gaunt. In 1372 he married Isabella, the younger sister of Gaunt’s second wife Constance. Her corpse was also examined by Victorian experts, who discovered she was only 4’8″ tall and had strange, forked teeth. In life she was said to be beautiful and notorious, with a number of lovers, the most famous being John Holland, later Duke of Exeter. Chaucer satirised their affair in a poem entitled ‘The Complaint of Mars’, while monastic chroniclers referred to Isabella as a ‘soft and lascivious woman, devoted to lust and worldliness’. She loved beautiful things: in her will are listed items of exquisite jewellery, such as a heart set with pearls, and illuminated manuscripts of romances. In later years she became faithful to her husband and turned to religion, dying in 1392 ‘pious and repentant’. Isabella left three children: Edward (born c. 1373), his father’s heir; Richard (born c. 1375–6); and Constance, who married Thomas le Despenser, who later became Earl of Gloucester.

Edmund was the founder of the House of York and received his dukedom from Richard II on 6 August 1385. In July, Edmund had helped to command an army on an abortive expedition to Scotland, and had camped at York on the way there. Although he had no special connection with the city, Richard II may have intended the creation to signify his gratitude to York for its recent hospitality and also his intention to make it the capital of England instead of London, where Richard was at that time very unpopular.


The fifth son of Edward III was Thomas of Woodstock, Duke of Gloucester, whose fifteenth-century descendants were the Dukes of Buckingham.


Richard II’s reign was one of the most disastrous in English history. It laid the foundations for a power struggle that would last well into the next century and lead ultimately to the Wars of the Roses. Richard had been raised to the throne at too early an age. Impressed very young with a strong sense of his unique importance, he came in later life to bear grudges against any who dared criticise him. The praise he earned, at fourteen, for his courageous behaviour during the Peasants’ Revolt convinced him that he was a born leader of men.

He was six feet tall, slim and very fair-skinned, with dark blond hair which he wore at shoulder length. He cut an impressive figure, but he was no soldier and never took part in a joust. Yet he could be brave, and a passionately loyal friend. He was also at times unstable, extravagant, headstrong, suspicious, temperamental, irresponsible, untrustworthy, and cruel. Politically inept, he was often abrupt in conversation, and capable of insulting behaviour, on occasions bawling out his detractors in Parliament. Once, in a violent temper, he tried to take a sword to the Archbishop of Canterbury, and had to be forcibly restrained from doing so.

Richard was a highly cultivated man and a great patron of the arts and literature. He was impressed by French culture and customs, and installed French cooks in his kitchens, something his subjects viewed as fraternising with the enemy, against whom they would have preferred to be scoring military victories. But Richard was no seeker of martial glory and considered that peace with France was preferable to war, a highly unpopular view at that time.

The King had pronounced aesthetic sensibilities and raised the cult and mystique of monarchy to an art form, giving much thought to the ceremony and pageantry attached to it. He dressed ostentatiously – one coat cost 30,000 marks – and was very fastidious: he is credited with inventing the handkerchief – ‘little pieces [of cloth] for the lord King to wipe and clean his nose’. He had exquisite taste and his elegant court reflected his passion for the arts, its fame adding lustre to his crown.

Richard was a great builder and improver of the royal palaces, to the extent of installing

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