The Ways of Men [75]
half of remorse, falls back insensible.
In spite of previous good resolutions, I must have given the author the impression that Sir Henry spoke too loud at the beginning of this scene and was in consequence inadequate at the end.
"What!" cried Sardou. "He raised his voice in that act! Why, it's a scene to be played with the soft pedal down! This is the way it should be done!" Dropping into a chair in the middle of the room my host began miming the gestures and expression of Robespierre as the phantoms (which, after all, are but the figments of an over-wrought brain) gather around him. Gradually he slipped to the floor, hiding his face with his upraised elbow, whispering and sobbing, but never raising his voice until, staggering toward the portal to escape, he meets the Queen face to face. Then the whole force of his voice came out in one awful cry that fairly froze the blood in my veins!
"What a teacher you would make!" instinctively rose to my lips as he ended.
With a careless laugh, Sardou resumed his shabby velvet cap, which had fallen to the floor, and answered: "Oh, it's nothing! I only wanted to prove to you that the scene was not a fatiguing one for the voice if played properly. I'm no actor and could not teach, but any one ought to know enough not to shout in that scene!"
This with some bitterness, as news had arrived that Irving's voice had given out the night before, and he had been replaced by his half-baked son in the title role, a change hardly calculated to increase either the box-office receipts or the success of the new drama.
Certain ominous shadows which, like Robespierre's visions, had been for some time gathering in the corners of the room warned me that the hour had come for my trip back to Paris. Declining reluctantly an invitation to take potluck with my host, I was soon in the Avenue of the Sphinx again. As we strolled along, talking of the past and its charm, a couple of men passed us, carrying a piece of furniture rolled in burlaps.
"Another acquisition?" I asked. "What epoch has tempted you this time?"
"I'm sorry you won't stop and inspect it," answered Sardou with a twinkle in his eye. "It's something I bought yesterday for my bedroom. An armchair! Pure Loubet!"
Chapter 28 - Inconsistencies
THE dinner had been unusually long and the summer evening warm. During the wait before the dancing began I must have dropped asleep in the dark corner of the piazza where I had installed myself, to smoke my cigar, away from the other men and their tiresome chatter of golf and racing. Through the open window groups of women could be seen in the ball-room, and the murmur of their conversation floated out, mingling with the laughter of the men.
Suddenly, in that casual way peculiar to dreams, I found myself conversing with a solemn young Turk, standing in all the splendor of fez and stambouline beside my chair.
"Pardon, Effendi," he was murmuring. "Is this an American ball? I was asked at nine o'clock; it is now past eleven. Is there not some mistake?"
"None," I answered. "When a hostess puts nine o'clock on her card of invitation she expects her guests at eleven or half- past, and would be much embarrassed to be taken literally."
As we were speaking, our host rose. The men, reluctantly throwing away their cigars, began to enter the ball-room through the open windows. On their approach the groups of women broke up, the men joining the girls where they sat, or inviting them out to the lantern-lit piazza, where the couples retired to dim, palm-embowered corners.
"Are you sure I have not made a mistake?" asked my interlocutor, with a faint quiver of the eyelids. "It is my intention, while travelling, to remain faithful to my harem."
I hastened to reassure him and explain that he was in an exclusive and reserved society.
"Indeed," he murmured incredulously. "When I was passing through New York last winter a lady was pointed out to me as the owner of marvellous jewels and vast
In spite of previous good resolutions, I must have given the author the impression that Sir Henry spoke too loud at the beginning of this scene and was in consequence inadequate at the end.
"What!" cried Sardou. "He raised his voice in that act! Why, it's a scene to be played with the soft pedal down! This is the way it should be done!" Dropping into a chair in the middle of the room my host began miming the gestures and expression of Robespierre as the phantoms (which, after all, are but the figments of an over-wrought brain) gather around him. Gradually he slipped to the floor, hiding his face with his upraised elbow, whispering and sobbing, but never raising his voice until, staggering toward the portal to escape, he meets the Queen face to face. Then the whole force of his voice came out in one awful cry that fairly froze the blood in my veins!
"What a teacher you would make!" instinctively rose to my lips as he ended.
With a careless laugh, Sardou resumed his shabby velvet cap, which had fallen to the floor, and answered: "Oh, it's nothing! I only wanted to prove to you that the scene was not a fatiguing one for the voice if played properly. I'm no actor and could not teach, but any one ought to know enough not to shout in that scene!"
This with some bitterness, as news had arrived that Irving's voice had given out the night before, and he had been replaced by his half-baked son in the title role, a change hardly calculated to increase either the box-office receipts or the success of the new drama.
Certain ominous shadows which, like Robespierre's visions, had been for some time gathering in the corners of the room warned me that the hour had come for my trip back to Paris. Declining reluctantly an invitation to take potluck with my host, I was soon in the Avenue of the Sphinx again. As we strolled along, talking of the past and its charm, a couple of men passed us, carrying a piece of furniture rolled in burlaps.
"Another acquisition?" I asked. "What epoch has tempted you this time?"
"I'm sorry you won't stop and inspect it," answered Sardou with a twinkle in his eye. "It's something I bought yesterday for my bedroom. An armchair! Pure Loubet!"
Chapter 28 - Inconsistencies
THE dinner had been unusually long and the summer evening warm. During the wait before the dancing began I must have dropped asleep in the dark corner of the piazza where I had installed myself, to smoke my cigar, away from the other men and their tiresome chatter of golf and racing. Through the open window groups of women could be seen in the ball-room, and the murmur of their conversation floated out, mingling with the laughter of the men.
Suddenly, in that casual way peculiar to dreams, I found myself conversing with a solemn young Turk, standing in all the splendor of fez and stambouline beside my chair.
"Pardon, Effendi," he was murmuring. "Is this an American ball? I was asked at nine o'clock; it is now past eleven. Is there not some mistake?"
"None," I answered. "When a hostess puts nine o'clock on her card of invitation she expects her guests at eleven or half- past, and would be much embarrassed to be taken literally."
As we were speaking, our host rose. The men, reluctantly throwing away their cigars, began to enter the ball-room through the open windows. On their approach the groups of women broke up, the men joining the girls where they sat, or inviting them out to the lantern-lit piazza, where the couples retired to dim, palm-embowered corners.
"Are you sure I have not made a mistake?" asked my interlocutor, with a faint quiver of the eyelids. "It is my intention, while travelling, to remain faithful to my harem."
I hastened to reassure him and explain that he was in an exclusive and reserved society.
"Indeed," he murmured incredulously. "When I was passing through New York last winter a lady was pointed out to me as the owner of marvellous jewels and vast