The Weird of the White Wolf - Michael Moorcock [2]
Malador paused before choosing which to take, and then walked with outward purposefulness towards one. He went into blackness which appeared to stretch away forever. It was cold; it was empty and he was alone.
He was soon lost. His footsteps made no echo, which was unexpected; then the blackness began to give way to a series of angular outlines, like the walls of a twisting corridor—walls which did not reach the unsensed roof, but ended several yards above his head. It was a labyrinth, a maze. He paused and looked back and saw with horror that the maze wound off in many directions, though he was sure he had followed a straight path from the outside.
For an instant, his mind became diffused and madness threatened to engulf him, but he battened it down, unslung his sword, shivering. Which way? He pressed on, unable to tell, now, whether he went forward or backward.
The madness lurking in the depths of his brain filtered out and became fear and, immediately following the sensation of fear, came the shapes. Swift-moving shapes, darting from several different directions, gibbering, fiendish, utterly horrible.
One of these creatures kept at him and he struck at it with his blade. It fled, but seemed unwounded. Another came and another and he forgot his panic as he smote around him, driving them back until all had fled. He paused and leaned, panting, on his sword. Then, as he stared around him, the fear began to flood back into him and more creatures appeared—creatures with wide, blazing eyes and clutching talons, creatures with malevolent faces, mocking him, creatures with half-familiar faces, some recognisable as those of old friends and relatives, yet twisted into horrific parodies. He screamed and ran at them, whirling his huge sword, slashing, hacking at them, rushing past one group to turn a bend in the labyrinth and encounter another.
Malicious laughter coursed through the twisting corridors, following him and preceding him as he ran. He stumbled and fell against a wall. At first the wall seemed of solid stone, then, slowly it became soft and he sank through it, his body lying half in one corridor, half in another. He hauled himself through, still on hands and knees, looked up and saw Eloarde, but an Eloarde whose face grew old as he watched.
“I am mad,” he thought. “Is this reality or fantasy—or both?”
He reached out a hand, “Eloarde!”
She vanished but was replaced by a crowding horde of demons. He raised himself to his feet and flailed around him with his blade, but they skipped outside his range and he roared at them as he advanced. Momentarily, while he thus exerted himself, the fear left him again and, with the disappearance of the fear, so the visions vanished until he realised that the fear preceded the manifestations and he tried to control it.
He almost succeeded, forcing himself to relax, but it welled up again and the creatures bubbled out of the walls, their shrill voices full of malicious mirth.
This time he did not attack them with his sword, but stood his ground as calmly as he could and concentrated upon his own mental condition. As he did so, the creatures began to fade away and then the walls of the labyrinth dissolved and it seemed to him that he stood in a peaceful valley, calm and idyllic. Yet, hovering close to his consciousness, he seemed to see the walls of the labyrinth faintly outlined, and disgusting shapes moving here and there along the many passages.
He realised that the vision of the valley was as much an illusion as the labyrinth and, with this conclusion, both valley and labyrinth faded and he stood in the enormous hall of a castle which could only be Kaneloon.
The hall was unoccupied though well-furnished, and he could not see the source of the light, which was bright and even. He strode towards a table, on which were heaped scrolls, and his feet made a satisfying echo. Several great metal-studded doors led off from the hall, but for the moment he