The White Guard - Mikhail Bulgakov [92]
'Rrring', murmured the wounded man softly, as he tried to make a moving picture out of the writhing shadows, a difficult and agonising picture but one with an unusual, delightful but painful ending.
On marched the hours, round went the hands on the dining-room clock, and when the short one on the white clock-face pointed to five, he fell into a half-sleep. Alexei stirred occasionally, opening his narrowed eyes and mumbling indistinctly:
'I'll never make it . . . never get to the top of the stairs, I'm getting weaker, I'm going to fall . . . And she's running so fast . . . boots, on the snow . . . You'll leave a trail . . . wolves . . . Rrring, rrring . . .'
Thirteen
The last time that Alexei had heard the sound of a bell ringing was when he had been running out of the back door of Madame Anjou's sensually perfumed boutique. The door bell rang. Someone had just come to the door of the shop, possibly someone like Alexei himself, a straggler from the Mortar Regiment, but equally possibly an enemy in pursuit. In any case, there was no question of going back into the shop, which would have been a totally superfluous piece of heroics.
A slippery flight of steps took Alexei down into the yard. There he could quite plainly hear the sound of rifle-fire very close by, somewhere on the broad street which sloped down to the Kresh-chatik, possibly even as close as the museum. It was now obvious that he had wasted too much time musing sadly in the twilit shop and that Malyshev had been quite right in advising him to hurry. His heart-beat quickened with anxiety.
Looking round, Alexei saw that the long and endlessly tall yellow box-like building which housed Madame Anjou's boutique extended backwards into an enormous courtyard and that this courtyard stretched as far as a low wall dividing it from the adjoining property, the head office of the railroad. Glancing around through narrowed eyes Alexei set off across the open space straight towards the wall. There was a gate in it, which to his great surprise was unlocked, and he passed through it into the grim courtyard of the empty railroad building, whose blind, ugly little windows heightened the sense of desolation. Passing through the building under an echoing archway, Alexei emerged from the asphalted passageway on to the street. It was exactly four o'clock in the afternoon by the old clock on the tower of the house opposite, and just starting to get dark. The street was completely deserted. Nagged by an uncomfortable presentiment Alexei again
looked grimly around and turned, not uphill but down towards the Golden Gates which loomed up, covered in snow, in the middle of the wet, slushy square. A solitary pedestrian ran towards Alexei with a frightened look and vanished.
An empty street always looks depressing, but here the feeling was augmented by an uncomfortable sense of foreboding somewhere in the pit of Alexei's stomach. Scowling in order to overcome his indecision - he had to go in some direction, he couldn't fly home through the air - he turned up his coat collar and set off.
He soon realised part of the reason for his unease - the gunfire had suddenly stopped. It had been booming away almost without cease for the past two weeks, and now there was silence in the surrounding sky. Yet in town, in fact right ahead of him down on the Kreshchatik, he could plainly hear bursts of rifle-fire. Alexei should have turned sharp left at the Golden Gates along a side-street, and then by keeping close to the back of St Sophia's Cathedral, he could have slipped home through a network of alleyways. If Alexei had done this, life would have turned out quite differently, but he did not do it. There is a kind of power which sometimes makes us turn and look over a mountain precipice, which draws us to experience the chill