The Women of the French Salons [52]
acknowledge the book, if I were assured the author would never appear to claim it. I find it very agreeable and well written without being excessively polished, full of things of admirable delicacy, which should be read more than once; above all, it seems to be a perfect presentation of the world of the court and the manner of living there. It is not romantic or ambitious; indeed it is not a romance; properly speaking, it is a book of memoirs, and that I am told was its title, but it was changed. VOILA, monsieur, my judgment upon Mme. De Cleves; I ask yours, for people are divided upon this book to the point of devouring each other. Some condemn what others admire; whatever you may say, do not fear to be alone in your opinion."
Sainte-Beuve, whose portrait of Mme. de La Fayette is so delightful as to make all others seem superfluous, has devoted some exquisite lines to this book. "It is touching to think," he writes, "of the peculiar situation which gave birth to these beings so charming, so pure, these characters so noble and so spotless, these sentiments so fresh, so faultless, so tender; how Mme. de La Fayette put into it all that her loving, poetic soul retained of its first, ever-cherished dreams, and how M. de La Rochefoucauld was pleased doubtless to find once more in "M. De Nemours" that brilliant flower of chivalry which he had too much misused--a sort of flattering mirror in which he lived again his youth. Thus these two old friends renewed in imagination the pristine beauty of that age when they had not known each other, hence could not love each other. The blush so characteristic of Mme. De Cleves, and which at first is almost her only language, indicates well the design of the author, which is to paint love in its freshest, purest, vaguest, most adorable, most disturbing, most irresistible--in a word, in its own color. It is constantly a question of that joy which youth joined to beauty gives, of the trouble and embarrassment that love causes in the innocence of early years, in short, of all that is farthest from herself and her friend in their late tie."
But whatever tints her tender and delicate imaginings may have taken from her own soul, Mme. de La Fayette has caught the eternal beauty of a pure and loyal spirit rising above the mists of sense into the serene air of a lofty Christian renunciation.
The sad but triumphant close of her romance foreshadowed the swift breaking up of her own pleasant life. In 1680, not long after the appearance of the "Princesse de Cleves," La Rochefoucauld died, and the song of her heart was changed to a miserere. Mme. de La Fayette has fallen from the clouds," says Mme. de Sevigne. "Where can she find such a friend, such society, a like sweetness, charm, confidence, consideration for her and her son?" A little later she writes from The Rocks, "Mme. de La Fayette sends me word that she is more deeply affected than she herself believed, being occupied with her health and her children; but these cares have only rendered more sensible the veritable sadness of her heart. She is alone in the world . . . The poor woman cannot close the ranks so as to fill this place."
The records of the thirteen years that remain to Mme. de La Fayette are somber and melancholy. "Nothing can replace the blessings I have lost," she says. Restlessly she seeks diversion in new plans. She enlarges her house as her horizon diminishes; she finds occupation in the affairs of Mme. Royale and interests herself in the marriage of the daughter of her never-forgotten friend, the Princess Henrietta, with the heir to the throne of Savoy. She writes a romance without the old vigor, occupies herself with historic reminiscences, and takes a passing refuge in an ardent affection for the young Mme. de Schomberg, which excites the jealousy of some older friends. But the strongest link that binds her to the world is the son whose career opens so brilliantly as a young officer and for whom she secures an ample fortune and a fine marriage. In this son and the establishment of a family centered
Sainte-Beuve, whose portrait of Mme. de La Fayette is so delightful as to make all others seem superfluous, has devoted some exquisite lines to this book. "It is touching to think," he writes, "of the peculiar situation which gave birth to these beings so charming, so pure, these characters so noble and so spotless, these sentiments so fresh, so faultless, so tender; how Mme. de La Fayette put into it all that her loving, poetic soul retained of its first, ever-cherished dreams, and how M. de La Rochefoucauld was pleased doubtless to find once more in "M. De Nemours" that brilliant flower of chivalry which he had too much misused--a sort of flattering mirror in which he lived again his youth. Thus these two old friends renewed in imagination the pristine beauty of that age when they had not known each other, hence could not love each other. The blush so characteristic of Mme. De Cleves, and which at first is almost her only language, indicates well the design of the author, which is to paint love in its freshest, purest, vaguest, most adorable, most disturbing, most irresistible--in a word, in its own color. It is constantly a question of that joy which youth joined to beauty gives, of the trouble and embarrassment that love causes in the innocence of early years, in short, of all that is farthest from herself and her friend in their late tie."
But whatever tints her tender and delicate imaginings may have taken from her own soul, Mme. de La Fayette has caught the eternal beauty of a pure and loyal spirit rising above the mists of sense into the serene air of a lofty Christian renunciation.
The sad but triumphant close of her romance foreshadowed the swift breaking up of her own pleasant life. In 1680, not long after the appearance of the "Princesse de Cleves," La Rochefoucauld died, and the song of her heart was changed to a miserere. Mme. de La Fayette has fallen from the clouds," says Mme. de Sevigne. "Where can she find such a friend, such society, a like sweetness, charm, confidence, consideration for her and her son?" A little later she writes from The Rocks, "Mme. de La Fayette sends me word that she is more deeply affected than she herself believed, being occupied with her health and her children; but these cares have only rendered more sensible the veritable sadness of her heart. She is alone in the world . . . The poor woman cannot close the ranks so as to fill this place."
The records of the thirteen years that remain to Mme. de La Fayette are somber and melancholy. "Nothing can replace the blessings I have lost," she says. Restlessly she seeks diversion in new plans. She enlarges her house as her horizon diminishes; she finds occupation in the affairs of Mme. Royale and interests herself in the marriage of the daughter of her never-forgotten friend, the Princess Henrietta, with the heir to the throne of Savoy. She writes a romance without the old vigor, occupies herself with historic reminiscences, and takes a passing refuge in an ardent affection for the young Mme. de Schomberg, which excites the jealousy of some older friends. But the strongest link that binds her to the world is the son whose career opens so brilliantly as a young officer and for whom she secures an ample fortune and a fine marriage. In this son and the establishment of a family centered