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The Wreckage - Michael Robotham [173]

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his back, gazing across the pond towards the house, which is wreathed in ivy. A castle fit for a king.

“He should have kept his mouth shut. The audit would have blown over.”

“Don’t you feel any responsibility?”

“What’s done is done.”

“I’m going to tell the authorities.”

Bach laughs. “Good luck with that. Nothing is going to happen. They know already. Why do you think I haven’t been charged? I’m an old man. They’re not going to prosecute me. They can’t risk damaging confidence in the banking system.”

There’s no hint of triumphalism in Bach’s voice, yet he was right all along, thinks Ruiz. People might hate him or question his morals, but when the economy picks up and the banks grow strong again, they’ll envy his wealth and his power. They’ll want to be just like him.

“Can I ask you one favor, please, Vincent?”

“What’s that?”

“I’d appreciate it if you didn’t tell Lizzie about Polina. She’s been through so much. Family is all she has left.”

His arrogance is astonishing; hubris on a grand scale. Ruiz can feel the skin tighten across his face.

“If it’s a question of money,” says Bach, “I’m sure I can find some honey in the pot to sweeten your medicine.”

The buzzing in Ruiz’s ears has grown louder. “I’m not the only person who knows.”

“Polina won’t say anything. She’s been too well paid.”

Ruiz has already turned away, in sudden need of fresher air. After several steps, he stops and spins.

“By the way, Elizabeth has a new nanny who knows all about dysfunctional families and their secrets. She can even tell when someone is lying.”

“My sins have been confessed.”

“But they haven’t been forgiven.”

Ruiz leaves, walking up the slope towards the house, the turf soft beneath his worn leather shoes. Beneath the canopy of a fig tree he notices a rope swing dangling from a lower branch and can picture Elizabeth as a young girl, her hair flying, pushing herself from the shadows into the sunshine.

Although reality can sometimes corrupt the fairytale and alter our ambitions, some things remain unalterable. From richest to poorest, we start and end with family.

ACKNOWLEDGMENTS


The Wreckage is based on many real-life events and documents but the characters are entirely fictitious. I am indebted to many fine journalists and authors who have written about the global financial crisis and about Iraq. I have drawn upon their experiences and wisdom to hopefully create fiction that reads like the truth.

As always, I wish to thank my agents Mark Lucas, Richard Pine, Nicki Kennedy and Sam Edenborough, as well as my editors David Shelley and John Schoenfelder.

For their hospitality, friendship and advice I thank Mark and Sara Derry, Martyn Forrester, Peter Temple, Jonathan Margolis and Scott Dalton.

Last, but by no means least, I am indebted as always to my beloved wife Vivien, who has suffered more than usual during the birth of this particular baby. My daughters have also endured my mercurial mood swings and many absences. One day I’ll make it up to them.

I love you guys.

Contents

FRONT COVER IMAGE

WELCOME

DEDICATION

BOOK ONE

1: BAGHDAD

2: LONDON

3: LONDON

4: BAGHDAD

5: LONDON

6: LONDON

7: BAGHDAD

8: LONDON

9: LONDON

10: BAGHDAD

11: LONDON

12: LONDON

13: BAGHDAD

14: LONDON

15: LONDON

16: LONDON

17: BAGHDAD

18: LONDON

19: BAGHDAD

20: LONDON

21: BAGHDAD

22: LONDON

23: BAGHDAD

24: LONDON

25: BAGHDAD

BOOK TWO

1: LONDON

2: LONDON

3: LONDON

4: LONDON

5: LONDON

6: LONDON

7: LONDON

8: BAGHDAD

9: LONDON

10: LONDON

11: LONDON

12: WASHINGTON

13: LONDON

14: BAGHDAD

15: LONDON

16: LONDON

17: BAGHDAD

18: LONDON

19: LONDON

20: LONDON

21: LONDON

22: WASHINGTON

23: LONDON

24: LONDON

25: LUTON

26: BAGHDAD

27: LONDON

28: LONDON

BOOK THREE

1: LONDON

2: ISTANBUL

3: LONDON

4: WASHINGTON

5: LONDON

6: LUTON

7: LONDON

8: LONDON

9: LONDON

10: LUTON

11: LONDON

12: LONDON

13: NEW YORK

14: LONDON

15: LONDON

16: LONDON

17: LONDON

18: LONDON

19: LONDON

20: LONDON

21: LONDON

22: LONDON

23: LONDON

24: LUTON

25: LONDON

26: LUTON

27: LONDON

28: LONDON

29:

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