The Wreckage - Michael Robotham [49]
The American chuckles. The guy won’t be laughing when he gets bounced off a few walls, thinks Ruiz. He has memorized the number plate of the Audi. He’s going to find him and they’ll talk properly, face to fist.
“The girl has the key.”
“What key?”
“I would like to talk to her personally.”
“My person will call your person. We’ll do lunch.”
“You’re not taking me seriously, Mr. Ruiz.”
“Did you kill Zac Osborne?”
The question warrants a pause. “We’re not animals, Mr. Ruiz. Your young lady friend is in danger. I can protect her.”
“That’s very gallant of you. The price is twenty-five thousand.”
“That’s more expensive than I expected.”
“Inflation.”
“I’m sure we can agree on a price when we meet. I’ll give you an address. You can bring the girl.”
Ruiz can hear a barge horn sounding in the background. He’s heard it before on the river, closer to home. The American is keeping Ruiz on the phone. Trying to drag out the conversation. The question is why?
“Call me when you have the money,” says Ruiz, hanging up.
Holly is watching television, Wife Swap USA. It’s about a woman who raises pigs in Arkansas swapping with a belly-dancing Bohemian who has the fashion sense of Tinkerbell.
The phone rings. She presses the TV mute button and waits for the answering machine to pick it up. Ruiz’s voice: “…leave a message after the tone…”
The beep.
“Get out now, Holly! Not the front door. The back. Over the fence. Mrs. McAllister lives in the house behind. Tell her you know me. Don’t frighten her. Go now. They’re coming for you.”
Holly doesn’t ask questions. She’s up, grabbing the leather satchel, her shoes, she can’t find her coat… it must be upstairs. She turns to the front door. A shadow darkens the frosted glass. Another at the window, crouching but not crouching low enough.
She runs to the kitchen and flings open the back door, jumps down the low stairs and sprints across the garden. Behind her comes the sound of glass breaking.
Hurry, says her inner voice, fearful and strangled. Throwing the satchel over the fence, she scrambles up and over. Her jeans catch on a climbing rose. She falls backwards, bracing herself. Soft earth. A dog barking. They’ll know where she’s gone.
On her feet, she turns and glimpses a figure in the second-floor window. Looking at her. Dressed in black. The dog is still barking. Small and white, it bounces behind the patio doors. Holly hammers on the glass. An old lady appears with blue-rinsed hair. Overweight. Shuffling on a walking frame.
“I’m a friend of Vincent’s,” she calls. “Somebody has broken into his house. Help me!”
Mrs. McAllister has to find the key. She’s flustered. Forgetful. Her dog won’t shut up. The man has gone from the window.
Key found, the glass slides open. Mrs. McAllister doesn’t step back quickly enough and Holly almost knocks her over. She apologizes and runs through the house to the front door.
Mrs. McAllister is a hoarder. The house is full of boxes, crates and excess furniture. Holly had a grandmother who was like that. Kept every margarine container, every empty jar, every magazine and brochure.
“Call the police. Don’t open the door.”
“Where are you going?”
“I can’t stay.”
Holly pauses in the shelter of the doorway. Looks out. Left or right? The inner voice tells her to get her bearings, but there isn’t time. A car swings into the street, dark blue, heavily tinted windows, travelling at speed. Decision made. She turns and runs, her bag bouncing against her spine. A footpath appears, too narrow for a car. It leads to the river.
Putting her head down, she pushes hard, hoping that nobody appears at the far end. Car doors slam behind her. Who are these people? Not the police. No warnings. Unmarked cars. She doesn’t want to go through this again. Too many bad things already, the bloody mess of her childhood, Albie, her mother, her father, now Zac—why can’t they leave her alone?
Emerging from the path, she crosses Rainville Road, ignoring a “don’t walk” sign. A car brakes hard. Sounds the horn. Holly slips and falls. Grazes her knee. Scrambles up.
Turns