Things Fall Apart - Chinua Achebe [14]
“You will blow your eyes out,” said Nwoye’s mother, looking up from the yams she was peeling. “Use the fan.” She stood up and pulled out the fan which was fastened into one of the rafters. As soon as she got up, the troublesome nannygoat, which had been dutifully eating yam peelings, dug her teeth into the real thing, scooped out two mouthfuls and fled from the hut to chew the cud in the goats’ shed. Nwoye’s mother swore at her and settled down again to her peeling. Ezinma’s fire was now sending up thick clouds of smoke. She went on fanning it until it burst into flames. Nwoye’s mother thanked her and she went back to her mother’s hut.
Just then the distant beating of drums began to reach them. It came from the direction of the ilo, the village playground. Every village had its own ilo which was as old as the village itself and where all the great ceremonies and dances took place. The drums beat the unmistakable wrestling dance —quick, light and gay, and it came floating on the wind.
Okonkwo cleared his throat and moved his feet to the beat of the drums. It filled him with fire as it had always done from his youth. He trembled with the desire to conquer and subdue. It was like the desire for woman.
“We shall be late for the wrestling,” said Ezinma to her mother.
“They will not begin until the sun goes down.”
“But they are beating the drums.”
“Yes. The drums begin at noon but the wrestling waits until the sun begins to sink. Go and see if your father has brought out yams for the afternoon.”
“He has. Nwoye’s mother is already cooking.”
“Go and bring our own, then. We must cook quickly or we shall be late for the wrestling.”
Ezinma ran in the direction of the barn and brought back two yams from the dwarf wall.
Ekwefi peeled the yams quickly. The troublesome nanny-goat sniffed about, eating the peelings. She cut the yams into small pieces and began to prepare a pottage, using some of the chicken.
At that moment they heard someone crying just outside their compound. It was very much like Obiageli, Nwoye’s sister.
“Is that not Obiageli weeping?” Ekwefi called across the yard to Nwoye’s mother.
“Yes,” she replied. “She must have broken her waterpot.”
The weeping was now quite close and soon the children filed in, carrying on their heads various sizes of pots suitable to their years. Ikemefuna came first with the biggest pot, closely followed by Nwoye and his two younger brothers. Obiageli brought up the rear, her face streaming with tears. In her hand was the cloth pad on which the pot should have rested on her head.
“What happened?” her mother asked, and Obiageli told her mournful story. Her mother consoled her and promised to buy her another pot.
Nwoye’s younger brothers were about to tell their mother the true story of the accident when Ikemefuna looked at them sternly and they held their peace. The fact was that Obiageli had been making inyanga with her pot. She had balanced it on her head, folded her arms in front of her and began to sway her waist like a grown-up young lady. When the pot fell down and broke she burst out laughing. She only began to weep when they got near the iroko tree outside their compound.
The drums were still beating, persistent and unchanging. Their sound was no longer a separate thing from the living village. It was like the pulsation of its heart. It throbbed in the air, in the sunshine, and even in the trees, and filled the village with excitement.
Ekwefi ladled her husband’s share of the pottage into a bowl and covered it. Ezinma took it to him in his obi.
Okonkwo was sitting on a goatskin already eating his first wife’s meal. Obiageli, who had brought it from her mother’s hut, sat on the floor waiting for him to finish. Ezinma placed her mother’s dish before him and sat with Obiageli.
“Sit like a woman!” Okonkwo shouted at her. Ezinma brought her two legs together and stretched them in front of her.
“Father,