Thirty - Jill Emerson [37]
Life is infinitely easier without words and those thoughts which form in words. Animals fuck in the forest and walk away in stolid contentment without putting words to their actions. Only people need words, and only people have invented the sickness of civilization.
We should all fuck in the forest, like animals.
Nude now, both of us, in the bed, his bed. We have established, through words and gestures, that I am to lie still, that I am to be done to. I am to be the fuckee, the ballee, the suckee, as you will. I am to be soft and moist and passive, and Susan, sweet Susan, is to make love to me.
And so she does.
(Odd, this. I want to put down what happened and how it happened and what it was like. I feel certain that it is very important that I do this. That it is altogether fitting and proper that I should do this. But something stops me. As if this were private—and somehow more private than all the other private things which I have dutifully described and recorded on these pages.
(Do I fancy myself in love with this girl? I don’t think that’s it, and yet, and yet, there is something there, something between us unlike anything between me and, oh, anyone else. Does this mean in some strange way that my fears were well founded, that I have opened myself up to a possibility I dimly foresaw—what stilted prose comes today from this pen!—and that I am indeed a lesbian? No, no, nothing of the sort. Labels are nonsense anyway, and I’m not.
(I am, though, a little different than I was a day ago. Which is understandable, but which also seems in some way to inhibit the flow of ink from this pen.)
To press onward—
I lie on my back, eyes closed. She is partly alongside me, partly on top of me, and we are kissing, or more accurately she is kissing me, her mouth on mine, lips so soft, so infinitely softer than ever a male mouth could be, and our bodies are together, and her breasts touch mine, and our flesh merges all the way down. She is shorter than I am; when she extends her feet, lying on top of me like this, her toes reach to my ankles. I feel the contact there, and the joining of our thighs, and the sweet warmth where our loins do not touch, and the sensation of her pubic hair so beautifully golden, against mine, brushing me, and our bellies touching, fitting one into the other, her convexity into my concavity (or is it the other way around, I confuse the words, concave is like caved in, no?) and her breasts against mine, and our mouths, giving and receiving.
She gives a small pelvic thrust. I arch to meet it, and we touch.
It is like—I was going to write that it is like a plug going into a socket, but the phallic connotation of that metaphor is utterly wrong here, is it not? It is, rather, like the contact of two sockets, but with a great interchange of energy. I think that is what I mean. I am not too sure what I mean.
(Perhaps, Giddings, you ought to let the facts speak for themselves. Metaphor is not your forte, Metafor is not your phorte. Just give us the facts, ma’am.
(Ma’am. Who called me that? Oh, the schmuck with the snow shovel, half a hundred years ago. The connections, unbidden and unwanted, that the mind makes.)
Again and then again she works herself against me, works her pretty blond pussy against me, and then her body glides down mine, but moving so slowly that I would not be aware of the movement were I not so overwhelmingly aware of everything being done by her to me.
She moves downward, and rains kisses on my neck, and kisses the deep hollow of my throat. Her tongue touches the pulse there. She licks me like flame. My hands want to touch her but remain at my sides as if weighted down, as if nailed in place. She moves lower. Her hands are on my breasts and her mouth kisses their tops. She uses her tongue on my breasts, drawing wet lines from the