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This House of Sky - Ivan Doig [84]

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sheepshed which squatted hugely across the yard from us. At least, I tried in what I thought was entirely grown-up sarcasm, old McGrath got us a scad of room for the sheep. But Grandma's attention had hit on the bleak bench of land rimming above us to the south, where the road curled in. She turned, and the same bench rimmed over us in the west. Another turn, and an identical flat lid of horizon to the north. She rotated to the last chance, the east, and was met with rimming benchland again, like the fourth lip of a vast square pit. Hmpf. House in a hollow makes the weather follow, she recited, slammed away into the back of the house, and wouldn't be spoken to for the rest of the morning.

Dad and I walked around the outbuildings. The sheepshed spread itself big beyond relief, bunkered along the base of a slope for a full forty yards, then elling off into the coulee for another forty, then closed around with a high board fence like a stockade. The one thing such expanse insured was endless walking for the day man—Dad—during lambing time. Moose of a damn place, he muttered now as if trying to shrink it.

Weathered and dour as a fortress, the sheepshed looked to have crouched on its site eternally. Every other building in the ranch yard, however, reared from open ground to open sky as though spilled into place, hard, only an eyeblink before. Nothing greater than a spear of grass backed the buildings—no brushy windbreak, no board fence, not even a pitying fluff of sage as the valley would have provided. As for trees, the entire sum of them on the 2500-acre ranch—two—hunched low at the front of the house, evidently trying to cower in out of the wind.

McGrath had told us that this leasehold—it was called the Jensen ranch—began as a homestead, which meant that people had lived here from at least forty years earlier. How had they never managed to make the place look less stark? From where we stood, a machine shed yawned with disuse on one side of us, a granary shed answered on the other. Between the pair bulked a barn built of notched logs, and its brown-gray mass only made the sheds look all the more cadaverous. Everything in sight—ground, barn, sheds, a rusting windmill—was slightly aslant, as if the impact of the giant sheepshed at the bottom of the yard had teetered the entire ranch toward it.

It was when Dad noticed that he hadn't yet found a place on the ranch where he could stand without one foot lower than the other that he pronounced the Irish fellow's lament on our new home. Then: Aw the hell, Skavinsky, we might as well go see what the grass looks like. The two of us—neither willing to risk a peace gesture in Grandma's direction yet—drove back up the long snout of benchland in front of the house.

We came up over the crest and were walled to a stop. The western skyline before us was filled high with a steel-blue army of mountains, drawn in battalions of peaks and reefs and gorges and crags as far along the entire rim of the earth as could be seen. Summit after summit bladed up thousands of feet as if charging into the air to strike first at storm and lightning, valleys and clefts chasmed wide as if split and hollowed by thunderblast upon thunderblast. Across the clear gape of distance, we could read where black-quilled forest wove in beneath cliffs and back among the plummet of canyons, we could make out the beds of scree crumbled and scattered beneath the marching shields of rimrock. The Smith River Valley had had mountain ranges all around. This high-set horizon twenty miles to our west thrust itself as if all those past ranges and twice their number more had been tumbled together and then armored with rimrock and icefield.

Off this carom-line of summits, we knew, the Continental Divide tipped rivers away to both the Pacific and the Atlantic. The shouldering might of what Dad and I were looking at seemed as if it could send those entire oceans too sloshing along routes of flow if the notion struck. Then as the pair of us stared and cleared our throats to one another, we began to see a thing more. Along these mastering

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