Three Act Tragedy - Agatha Christie [35]
Mr Satterthwaite noticed at once that the girl was looking thinner. Her eyes seemed larger and more feverish, her chin more decided. She was pale and had circles under her eyes. But her charm was as great as ever, her childish eagerness just as intense.
She said to Sir Charles, ‘I knew you’d come…’
Her tone implied: ‘Now that you’ve come everything will be all right…’
Mr Satterthwaite thought to himself: ‘But she wasn’t sure he’d come—she wasn’t sure at all. She’s been on tenterhooks. She’s been fretting herself to death.’ And he thought: ‘Doesn’t the man realize? Actors are usually vain enough…Doesn’t he know the girl’s head over ears in love with him?’
It was, he thought, an odd situation. That Sir Charles was overwhelmingly in love with the girl, he had no doubt whatever. She was equally in love with him. And the link between them—the link to which each of them clung frenziedly—was a crime—a double crime of a revolting nature.
During dinner little was said. Sir Charles talked about his experiences abroad. Egg talked about Loomouth. Mr Satterthwaite encouraged them both whenever the conversation seemed likely to flag. When dinner was over they went to Mr Satterthwaite’s house.
Mr Satterthwaite’s house was on Chelsea Embankment. It was a large house, and contained many beautiful works of art. There were pictures, sculpture, Chinese porcelain, prehistoric pottery, ivories, miniatures and much genuine Chippendale and Hepplewhite furniture. It had an atmosphere about it of mellowness and understanding.
Egg Lytton Gore saw nothing, noticed nothing. She flung off her evening coat on to a chair and said:
‘At last. Now tell me all about it.’
She listened with vivid interest whilst Sir Charles narrated their adventures in Yorkshire, drawing in her breath sharply when he described the discovery of the blackmailing letters.
‘What happened after that we can only conjecture,’ finished Sir Charles. ‘Presumably Ellis was paid to hold his tongue and his escape was facilitated.’
But Egg shook her head.
‘Oh, no,’ she said. ‘Don’t you see? Ellis is dead.’
Both men were startled, but Egg reiterated her assertion.
‘Of course he’s dead. That’s why he’s disappeared so successfully that no one can find a trace of him. He knew too much, and so he was killed. Ellis is the third murder.’
Although neither of the two men had considered the possibility before, they were forced to admit that it did not entirely ring false.
‘But look here, my dear girl,’ argued Sir Charles, ‘it’s all very well to say Ellis is dead. Where’s the body? There’s twelve stone or so of solid butler to be accounted for.’
‘I don’t know where the body is,’ said Egg. ‘There must be lots of places.’
‘Hardly,’ murmured Mr Satterthwaite. ‘Hardly…’
‘Lots,’ reiterated Egg. ‘Let me see…’ She paused for a moment. ‘Attics, there are masses of attics that no one ever goes into. He’s probably in a trunk in the attic.’
‘Rather unlikely,’ said Sir Charles. ‘But possible, of course. It might evade discovery—for—er—a time.’
It was not Egg’s way to avoid unpleasantness. She dealt immediately with the point in Sir Charles’s mind.
‘Smell goes up, not down. You’d notice a decaying body in the cellar much sooner than in the attic. And, anyway, for a long time people would think it was a dead rat.’
‘If your theory were correct, it would point definitely to a man as the murderer. A woman couldn’t drag a body round the house. In fact, it would be a pretty good feat for a man.’
‘Well, there are other possibilities. There’s a secret passage there, you know. Miss Sutcliffe told me so, and Sir Bartholomew told me he would show it to me. The murderer might have given Ellis the money and shown him the way to get out of the house—gone down the passage with him and killed him there. A woman could do that. She could stab him, or something, from behind. Then she’d just leave the body there and go back, and no one would ever know.’
Sir Charles shook