Three Men in a Boat - Jerome K. Jerome [17]
Harris said, however, that the river would suit him to a ‘T’. I don’t know what a ‘T’ is (except a sixpenny one, which includes bread-and-butter and cake ad lib., and is cheap at the price, if you haven’t had any dinner). It seems to suit everybody, however, which is greatly to its credit.
It suited me to a ‘T’, too, and Harris and I both said it was a good idea of George’s and we said it in at one that seemed to somehow imply that we were surprised that George should have come out so sensible.
The only one who was not struck with the suggestion was Montmorency. He never did care for the river, did Montmorency.
‘It’s all very well for you fellows,’ he says; ‘you like it, but I don’t. There’s nothing for me to do. Scenery is not in my line, and I don’t smoke. If I see a rat, you won’t stop; and if I go to sleep, you get fooling about with the boat, and slop me overboard. If you ask me, I call the whole thing bally foolishness.’
We were three to one, however, and the motion was carried.
Chapter 2
Plans discussed – Pleasures of ‘comping out’, on fine nights – Ditto, wet nights – Compromise decided on – Montmorency, first impressions of – Fears lest he is too good for this world, fears subsequently dismissed as groundless – Meeting adjourns.
We pulled out the maps, and discussed plans.
We arranged to start on the following Saturday from Kingston. Harris and I would go down in the morning, and take the boat up to Chertsey, and George, who would not be able to get away from the City till the afternoon (George goes to sleep at a bank from ten to four each day, except Saturdays, when they wake him up and put him outside at two), would meet us there.
Should we ‘camp out’ or sleep at inns?
George and I were for camping out. We said it would be so wild and free, so patriarchal1 like.
Slowly the golden memory of the dead sun fades from the hearts of the cold, sad clouds. Silent, like sorrowing children, the birds have ceased their song, and only the moorhen’s plaintive cry and the harsh croak of the corncrake stirs the awed hush around the couch of waters, where the dying day breathes out her last.
From the dim woods on either bank, Night’s ghostly army, the grey shadows, creep out with noiseless tread to chase away the lingering rearguard of the light, and pass, with noiseless, unseen feet, above the waving river-grass, and through the sighing rushes; and Night, upon her sombre throne, folds her black wings above the darkening world, and, from her phantom palace, lit by the pale stars, reigns in stillness.
Then we run our little boat into some quiet nook, and the tent is pitched, and the frugal supper cooked and eaten. Then the big pipes are filled and lighted, and the pleasant chat goes round in musical undertone; while, in the pauses of our talk, the river, playing round the boat, prattles strange old tales and secrets, sings low the old child’s song that it has sung so many thousand years – will sing so many thousand years to come, before its voice grows harsh and old – a song that we, who have learnt to love its changing face, who have so often nestled on its yielding bosom, think, somehow, we understand, though we could not tell you in mere words the story that we listen to.
And we sit there, by its margin, while the moon, who loves it too, stoops down to kiss it with a sister’s kiss, and throws her silver arms around it clingingly; and we watch it as it flows, ever singing, ever whispering, out to meet its king, the sea – till our voices die away in silence, and the pipes go out – till we, commonplace, everyday young men enough, feel strangely full of thoughts, half sad, half sweet, and do not care or want to speak – till we laugh, and, rising, knock the ashes from our burnt-out