Thus Spake Zarathustra [135]
it that the old soothsayer foretold to me yester-morn,--
--Unto your distress did he want to seduce and tempt me: 'O Zarathustra,' said he to me, 'I come to seduce thee to thy last sin.'
To my last sin?" cried Zarathustra, and laughed angrily at his own words: "WHAT hath been reserved for me as my last sin?"
--And once more Zarathustra became absorbed in himself, and sat down again on the big stone and meditated. Suddenly he sprang up,--
"FELLOW-SUFFERING! FELLOW-SUFFERING WITH THE HIGHER MEN!" he cried out, and his countenance changed into brass. "Well! THAT--hath had its time!
My suffering and my fellow-suffering--what matter about them! Do I then strive after HAPPINESS? I strive after my WORK!
Well! The lion hath come, my children are nigh, Zarathustra hath grown ripe, mine hour hath come:--
This is MY morning, MY day beginneth: ARISE NOW, ARISE, THOU GREAT NOONTIDE!"--
Thus spake Zarathustra and left his cave, glowing and strong, like a morning sun coming out of gloomy mountains.
APPENDIX.
NOTES ON "THUS SPAKE ZARATHUSTRA" BY ANTHONY M. LUDOVICI.
I have had some opportunities of studying the conditions under which Nietzsche is read in Germany, France, and England, and I have found that, in each of these countries, students of his philosophy, as if actuated by precisely similar motives and desires, and misled by the same mistaken tactics on the part of most publishers, all proceed in the same happy-go- lucky style when "taking him up." They have had it said to them that he wrote without any system, and they very naturally conclude that it does not matter in the least whether they begin with his first, third, or last book, provided they can obtain a few vague ideas as to what his leading and most sensational principles were.
Now, it is clear that the book with the most mysterious, startling, or suggestive title, will always stand the best chance of being purchased by those who have no other criteria to guide them in their choice than the aspect of a title-page; and this explains why "Thus Spake Zarathustra" is almost always the first and often the only one of Nietzsche's books that falls into the hands of the uninitiated.
The title suggests all kinds of mysteries; a glance at the chapter-headings quickly confirms the suspicions already aroused, and the sub-title: "A Book for All and None", generally succeeds in dissipating the last doubts the prospective purchaser may entertain concerning his fitness for the book or its fitness for him. And what happens?
"Thus Spake Zarathustra" is taken home; the reader, who perchance may know no more concerning Nietzsche than a magazine article has told him, tries to read it and, understanding less than half he reads, probably never gets further than the second or third part,--and then only to feel convinced that Nietzsche himself was "rather hazy" as to what he was talking about. Such chapters as "The Child with the Mirror", "In the Happy Isles", "The Grave-Song," "Immaculate Perception," "The Stillest Hour", "The Seven Seals", and many others, are almost utterly devoid of meaning to all those who do not know something of Nietzsche's life, his aims and his friendships.
As a matter of fact, "Thus Spake Zarathustra", though it is unquestionably Nietzsche's opus magnum, is by no means the first of Nietzsche's works that the beginner ought to undertake to read. The author himself refers to it as the deepest work ever offered to the German public, and elsewhere speaks of his other writings as being necessary for the understanding of it. But when it is remembered that in Zarathustra we not only have the history of his most intimate experiences, friendships, feuds, disappointments, triumphs and the like, but that the very form in which they are narrated is one which tends rather to obscure than to throw light upon them, the difficulties which meet the reader who starts quite unprepared will be seen to be really formidable.
Zarathustra, then,--this shadowy, allegorical personality, speaking in allegories and parables, and at
--Unto your distress did he want to seduce and tempt me: 'O Zarathustra,' said he to me, 'I come to seduce thee to thy last sin.'
To my last sin?" cried Zarathustra, and laughed angrily at his own words: "WHAT hath been reserved for me as my last sin?"
--And once more Zarathustra became absorbed in himself, and sat down again on the big stone and meditated. Suddenly he sprang up,--
"FELLOW-SUFFERING! FELLOW-SUFFERING WITH THE HIGHER MEN!" he cried out, and his countenance changed into brass. "Well! THAT--hath had its time!
My suffering and my fellow-suffering--what matter about them! Do I then strive after HAPPINESS? I strive after my WORK!
Well! The lion hath come, my children are nigh, Zarathustra hath grown ripe, mine hour hath come:--
This is MY morning, MY day beginneth: ARISE NOW, ARISE, THOU GREAT NOONTIDE!"--
Thus spake Zarathustra and left his cave, glowing and strong, like a morning sun coming out of gloomy mountains.
APPENDIX.
NOTES ON "THUS SPAKE ZARATHUSTRA" BY ANTHONY M. LUDOVICI.
I have had some opportunities of studying the conditions under which Nietzsche is read in Germany, France, and England, and I have found that, in each of these countries, students of his philosophy, as if actuated by precisely similar motives and desires, and misled by the same mistaken tactics on the part of most publishers, all proceed in the same happy-go- lucky style when "taking him up." They have had it said to them that he wrote without any system, and they very naturally conclude that it does not matter in the least whether they begin with his first, third, or last book, provided they can obtain a few vague ideas as to what his leading and most sensational principles were.
Now, it is clear that the book with the most mysterious, startling, or suggestive title, will always stand the best chance of being purchased by those who have no other criteria to guide them in their choice than the aspect of a title-page; and this explains why "Thus Spake Zarathustra" is almost always the first and often the only one of Nietzsche's books that falls into the hands of the uninitiated.
The title suggests all kinds of mysteries; a glance at the chapter-headings quickly confirms the suspicions already aroused, and the sub-title: "A Book for All and None", generally succeeds in dissipating the last doubts the prospective purchaser may entertain concerning his fitness for the book or its fitness for him. And what happens?
"Thus Spake Zarathustra" is taken home; the reader, who perchance may know no more concerning Nietzsche than a magazine article has told him, tries to read it and, understanding less than half he reads, probably never gets further than the second or third part,--and then only to feel convinced that Nietzsche himself was "rather hazy" as to what he was talking about. Such chapters as "The Child with the Mirror", "In the Happy Isles", "The Grave-Song," "Immaculate Perception," "The Stillest Hour", "The Seven Seals", and many others, are almost utterly devoid of meaning to all those who do not know something of Nietzsche's life, his aims and his friendships.
As a matter of fact, "Thus Spake Zarathustra", though it is unquestionably Nietzsche's opus magnum, is by no means the first of Nietzsche's works that the beginner ought to undertake to read. The author himself refers to it as the deepest work ever offered to the German public, and elsewhere speaks of his other writings as being necessary for the understanding of it. But when it is remembered that in Zarathustra we not only have the history of his most intimate experiences, friendships, feuds, disappointments, triumphs and the like, but that the very form in which they are narrated is one which tends rather to obscure than to throw light upon them, the difficulties which meet the reader who starts quite unprepared will be seen to be really formidable.
Zarathustra, then,--this shadowy, allegorical personality, speaking in allegories and parables, and at