Tick Tock - James Patterson [90]
He kept sitting there. What the heck was he doing? What was he waiting for? He was done now. Time to hit the road and see exactly how free $8 million could make him. How good he could make himself feel.
But he didn’t go. Instead, he shut off the car and hit the garage door down and went back inside. When he came out again he was holding the garment bag. He laid it down on the front seat on top of the money and stared at it.
He was probably being foolish, but he just couldn’t leave things like this. Fuck what the lawyer, Duques, had said about Lawrence’s having changed his mind. He knew what Lawrence would have wanted him to do. He understood the big man better than anyone. Maybe better than the guy understood himself.
Lawrence had done so much for him. It wasn’t about the money. He realized it never had been. This was about friendship. About faith, respect. Lawrence had been the father he never had. You couldn’t put a price tag on that.
Besides, he thought as he opened the garage door again and revved the engine.
He always completed the mission.
He unzipped the bag and took out the MapQuest sheet for the final target and turned on the Mercedes’s nav system.
Point of start? the screen asked.
Manhattan, he typed.
Point of destination?
Apt’s fingers hovered above the keyboard for a moment and then he typed it:
Breezy Point, Queens.
Chapter 99
IT WAS A LITTLE AFTER MIDNIGHT when Carl Apt drove out from underneath the second-to-last stop of the A subway line in Rockaway, Queens.
A sign said the name of the stop was Beach 105th Street, but there was no beach in sight. There was just a razor-wire fence outside some sort of industrial plant. Some ant colony high-rises, an ill-kept ball field.
It got nicer the farther he drove south. Swept sidewalks. Neat lawns. Fireflies glowing beneath leafy shade trees. After a while, it flattened out the way it does near the water, sky suddenly everywhere.
The narrow side streets he started to pass had little guard booth arms blocking car traffic and then that was it. The road just stopped. In front of him beyond a spray-painted guardrail lay the dunes, the silvery bulge and fall of waves, the open sea.
He made a U-turn, checking the GPS. When he was close, he spotted a closed IGA supermarket and pulled into its empty lot. Around the back of it near its loading dock, he tucked the Merc beside the beat-to-shit rusted trailer of an 18-wheeler.
He put the top up on the convertible before he opened the bag and got changed. Once dressed, he took an electric razor from the bottom of the bag and plugged it into the cigarette lighter with an adapter he’d bought at a Radio Shack.
Done, he clicked the razor off and checked himself in the rearview. He had a Mohawk now. He quickly slid on his aviator sunglasses and his vintage army jacket.
He was dressed as Travis Bickle, the anti-hero from Martin Scorsese’s seventies classic movie Taxi Driver. Played by Robert DeNiro, Bickle, like Apt, was a soldier turned idealistic assassin.
It was elaborate fantasyland stuff, but that was just the kind of whimsy Lawrence really enjoyed.
For Detective Michael Bennett’s death, Lawrence had chosen his most beloved New York killer of all.
The fiber-optic camera was now in the lining of his jacket. As usual, he was filming everything. The entire digital tape, including this last scene, the grand finale, would be going into a FedEx box as soon as he was done. David Berger, Lawrence’s famous, saintly, genius musician brother out in California, would receive it the day after tomorrow.
Apt got out of the car. Sticking to the shadows, he hurried down Rockaway Point Boulevard until he got to Spring Street, Bennett’s block. He started