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Till We Have Faces_ A Myth Retold - C. S. Lewis [75]

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mixed up with those of some great fighting queen who lived longer ago and (I think) further north, and a fine patchwork of wonders and impossibilities made out of both. But the truth is that after my battle with Argan there were only three wars that I fought, and one of them, the last, against the Wagon Men who live beyond the Grey Mountain, was a very slight thing. And though I rode out with my men in all these wars, I was never such a fool as to think myself a great captain. All that part of it was Bardia's and Penuan's. (I met him first the night after I fought Argan, and he became the trustiest of my nobles.) I will also say this: I was never yet at any battle but that, when the lines were drawn up and the first enemy arrows came flashing in among us, and the grass and trees about me suddenly became a place, a Field, a thing to be put in chronicles, I wished very heartily that I had stayed at home. Nor did I ever do any notable deed with my own arm but once. That was in the war with Essur, when some of their horse came out of an ambush and Bardia, riding to his position, was surrounded all in a moment. Then I galloped in and hardly knew what I was doing till the matter was over, and they say I had killed seven men with my own strokes. (I was wounded that day.) But to hear the common rumour you would think I had planned every war and every battle and killed more enemies than all the rest of our army put together.

My real strength lay in two things. The first was that I had, and especially for the first years, two very good counsellors. You couldn't have had better yokefellows, for the Fox understood what Bardia did not, and neither cared a straw for his own dignity or advancement when my needs were in question. And I came to understand (what my girl's ignorance had once hidden from me) that their girding and mocking at one another was little more than a sort of game. They were no flatterers either. In this way I had some profit of my ugliness; they did not think of me as a woman. If they had, it is impossible that we three, alone, by the hearth in the Pillar Room (as we were often) should have talked with such freedom. I learned from them a thousand things about men.

My second strength lay in my veil. I could never have believed, till I had proof of it, what it would do for me. From the very first (it began that night in the garden with Trunia) as soon as my face was invisible, people began to discover all manner of beauties in my voice. At first it was "deep as a man's, but nothing in the world less mannish;" later, and until it grew cracked with age, it was the voice of a spirit, a Siren, Orpheus, what you will. And as years passed and there were fewer in the city (and none beyond it) who remembered my face, the wildest stories got about as to what that veil hid. No one believed it was anything so common as the face of an ugly woman. Some said (nearly all the younger women said) that it was frightful beyond endurance; a pig's, bear's, cat's or elephant's face. The best story was that I had no face at all; if you stripped off my veil you'd find emptiness. But another sort (there were more of the men among these) said that I wore a veil because I was of a beauty so dazzling that if I let it be seen all men in the world would run mad; or else that Ungit was jealous of my beauty and had promised to blast me if I went bareface. The upshot of all this nonsense was that I became something very mysterious and awful. I have seen ambassadors who were brave men in battle turn white like scared children in my Pillar Room when I turned and looked at them (and they couldn't see whether I was looking or not) and was silent. I have made the most seasoned liars turn red and blurt out the truth with the same weapon.

The first thing I did was to shift my own quarters over to the north side of the palace, in order to be out of that sound the chains made in the well. For though, by daylight, I knew well enough what made it, at night nothing I could do would cure me of taking it for the weeping of a girl. But the change of my quarters,

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