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Timequake - Kurt Vonnegut [2]

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The Berkley Publishing Group, 375 Hudson Street, New York, New York 10014.

THE BERKLEY PUBLISHING GROUP

Published by the Penguin Group

Penguin Group (USA) Inc.

375 Hudson Street, New York, New York 10014, USA

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Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R ORL, England

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

TIMEQUAKE

Copyright © 1997 by Kurt Vonnegut

Author photo © Jill Krementz

All rights reserved.

No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.

BERKLEY is a registered trademark of Penguin Group (USA) Inc.

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eISBN : 978-1-440-67438-9

http://us.penguingroup.com

In memory of Seymour Lawrence,

a romantic and great publisher

of curious tales told with ink

on bleached and flattened wood pulp

All persons, living and dead, are purely coincidental.

PROLOGUE

Ernest Hemingway in 1952 published in Life magazine a long short story called The Old Man and the Sea. It was about a Cuban fisherman who hadn’t caught anything for eighty-four days. The Cuban hooked an enormous marlin. He killed it and lashed it alongside his little boat. Before he could get it to shore, though, sharks bit off all the meat on the skeleton.

I was living in Barnstable Village on Cape Cod when the story appeared. I asked a neighboring commercial fisherman what he thought of it. He said the hero was an idiot. He should have hacked off the best chunks of meat and put them in the bottom of the boat, and left the rest of the carcass for the sharks.

It could be that the sharks Hemingway had in mind were critics who hadn’t much liked his first novel in ten years, Across the River and into the Trees, published two years earlier. As far as I know, he never said so. But the marlin could have been that novel.

And then I found myself in the winter of 1996 the creator of a novel which did not work, which had no point, which had never wanted to be written in the first place. Merde! I had spent nearly a decade on that ungrateful fish, if you will. It wasn’t even fit for shark chum.

I had recently turned seventy-three. My mother made it to fifty-two, my father to seventy-two. Hemingway almost made it to sixty-two. I had lived too long! What was I to do?

Answer: Fillet the fish. Throw the rest away.

This I did in the summer and autumn of 1996. Yesterday, November 11th of that year, I turned seventy-four. Seventy-four!

Johannes Brahms quit composing symphonies when he was fifty-five. Enough! My architect father was sick and tired of architecture when he was fifty-five. Enough! American male novelists have done their best work by then. Enough! Fifty-five is a long time ago for me now. Have pity!

My great

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