To End All Wars_ A Story of Loyalty and Rebellion, 1914-1918 - Adam Hochschild [128]
Buchan's Somme volumes are filled with short profiles of heroes, like Private McFadzean of the Royal Irish Rifles, who threw himself on two exploding grenades to protect his comrades; or Lord Lucas, a one-legged pilot who vanished over German lines. All of these men, "clerks and shopboys, ploughmen and shepherds, Saxon and Celt, college graduates and dock labourers, men who in the wild places of the earth had often faced danger, and men whose chief adventure had been a Sunday bicycle ride," had served their country gallantly, and every Briton, of course, should be proud of them. The photographs in the books are upbeat too: Scottish troops with bagpipers, or soldiers heading to the front cheering and raising their helmets in greeting.
That the first foray of the new tank had been an awkward failure in no way deterred Buchan from celebrating it; he presciently sensed the romance the public would soon have with the "strange machines, which, shaped like monstrous toads, crawled imperturbably over wire and parapets, butted down houses, shouldered trees aside, and humped themselves over the stoutest walls.... The crews of the tanks—which they called His Majesty's Landships—seemed to have acquired some of the light-heartedness of the British sailor.... With infinite humour they described how the enemy had surrounded them when they were stuck, and had tried in vain to crack their shell, while they themselves sat laughing inside."
Buchan did not mention the tank crews reduced to charred skeletons when shells ignited their vehicles' fuel tanks, or any such detail about how death or injury came to nearly half a million British soldiers at the Somme. Instead, following Haig and General Charteris, he insisted that "a shattering blow" had been struck against enemy morale, and concluded somewhat vaguely that "our major purpose was attained." That, of course, was what Britons wanted urgently to feel.
Did Buchan believe all this? Surely not. He had close friends in infantry regiments who knew just how mindless the slaughter had been; indeed, the historian of propaganda Peter Buitenhuis speculates that it was "the strain of duplicity" in what he wrote about the Somme that soon afterward gave Buchan an ulcer attack that required surgery. But we will never know more, for any anguish Buchan felt on this score he kept entirely to himself; there is no sign of it in his published work, diary or letters.
His fellow writer turned propagandist, Rudyard Kipling, shaken to the core by the loss of his son, continued to report from various fronts, but his work took a dark and bitter turn. "Whenever the German man or woman gets a suitable culture to thrive in," he wrote in mid-1916, "he or she means death and loss to civilised people, precisely as germs of any disease.... The German is typhoid or plague— Pestio Teutonicus," In one speech, he declared that the world was divided into "human beings and Germans," although his rage at some of those human beings—Jews, the Irish, and lazy trade unionists who had supposedly left the nation short of munitions—was growing as well.
He was consumed by not knowing John's fate. From letters or interviews with more than 20 survivors of the Battle of Loos, Kipling and his wife compiled a timeline of John's last known movements on the day he disappeared, marking these on a map. In desperation, he had leaflets printed in German asking for information, and arranged with the Royal Flying Corps to drop them over German trenches.
Confirmation that John had been wounded before vanishing came from the writer Rider Haggard, who had tracked down the last fellow Irish Guardsman to see him alive. John had been crying in pain, the soldier told Haggard, because a shell fragment had shattered his mouth. Haggard did not dare to pass that news on, and so the unknowing Kipling was able to imagine:
My son was killed while laughing at some jest. I would I knew
What it was, and it might serve me in a time when jests are few.
Visitors to his country house in Sussex found the writer looking older and