To End All Wars_ A Story of Loyalty and Rebellion, 1914-1918 - Adam Hochschild [6]
I. Dramatis Personae
1. BROTHER AND SISTER
THE CITY HAD NEVER seen such a parade. Nearly 50,000 brilliantly uniformed troops converged on St. Paul's Cathedral in two great columns. One was led by the country's most beloved military hero, the mild-mannered Field Marshal Lord Roberts of Kandahar, a mere five feet two inches in height, astride a white Arabian horse like those he had ridden during more than 40 years of routing assorted Afghans, Indians, and Burmese who had the temerity to rebel against British rule. Mounted at the head of the other column, at six feet eight inches, was the tallest man in the army, Captain Oswald Ames of the Life Guards, wearing his regiment's traditional breastplate, which, with the sunlight glinting off it, seemed as if it might deflect an enemy's lance by its dazzling gleam alone. His silver helmet topped with a long horsehair panache made him appear taller still.
It was June 22, 1897, and London had spent £250,000—the equivalent of more than $30 million today—on street decorations alone. Above the marching troops, Union Jacks flew from every building; blue, red, and white bunting and garlands adorned balconies; and lampposts were bedecked with baskets of flowers. From throughout the British Empire came foot soldiers and the elite troops of the cavalry: New South Wales Lancers from Australia, the Trinidad Light Horse, South Africa's Cape Mounted Rifles, Canadian Hussars, Zaptich horse-men from Cyprus in tasseled fezzes, and bearded lancers from the Punjab. Rooftops, balconies, and special bleachers built for this day were packed. A triumphal archway near Paddington station was emblazoned "Our Hearts Her Throne." On the Bank of England appeared "She Wrought Her People Lasting Good." Dignitaries filled the carriages that rolled along the parade route—the papal nuncio shared one with the envoy of the Chinese Emperor—but the most thunderous cheers were reserved for the royal carriage, drawn by eight cream-colored horses. Queen Victoria, holding a black lace parasol and nodding to the crowds, was marking the 60th anniversary of her ascent to the throne. Her black moiré dress was embroidered with silver roses, thistles, and shamrocks, symbols of the united lands at the pinnacle of the British Empire: England, Scotland, and Ireland.
The sun emerged patriotically from an overcast sky just after the Queen's carriage left Buckingham Palace. The dumpy monarch, whose round, no-nonsense face no portrait painter or photographer ever seems to have caught in a smile, presided over the largest empire the world had ever seen. For this great day a clothier advertised a "Diamond Jubilee Lace Shirt," poets wrote Jubilee odes, and Sir Arthur Sullivan, of Gilbert and Sullivan, composed a Jubilee hymn. "How many millions of years has the sun stood in heaven?" said the Daily Mail. "But the sun never looked down until yesterday upon the embodiment of so much energy and power."
Victoria's empire was not known for its modesty. "I contend that we are the first race in the world," the future diamond mogul Cecil Rhodes declared when still an Oxford undergraduate, "and that the more of the world we inhabit the better it is for the human race." Later, he went on to say, "I would