To Lie with Lions - Dorothy Dunnett [9]
The priest Father Godscalc, for one, fears Nicholas’ purposes in Scotland. Loving Nicholas and Gelis, knowing the secret of Katelina van Borselen’s child, guessing the cruel punishment which her sister has planned for Nicholas, the dying Godscalc brings Nicholas back to Bruges and extracts a promise that he will stay out of Scotland for two years, and so remove himself from the morally perilous proximity of Simon, the father-figure whom he seeks to punish, and Henry, the secret son who hates him more with every effort he makes to help him. Nicholas agrees, and turns to other business, mining silver and alum in the Tyrol, settling the eastern arm of his banking business in Alexandria, tracking a large missing shipment of gold from the African adventure from Cairo to Sinai to Cyprus. These enterprises occupy only half his mind, however, for the carefully spent time in Scotland has confirmed what he suspects, that the still-impotent Simon could not in fact be the father of the child whom Gelis has in secret borne and hidden, and who, dead or alive, is the real object of his quest. In a stunning dawn climax on the burning rocks of Mount Sinai, Nicholas and Gelis, equivocal pilgrims, challenge each other with the truth of the birth and of their love and enmity, and the conflict heightens.
The duel between husband and wife finds them evenly matched in business acumen and foresightful intrigue, tragically equal in their capacity to detect the places of the other’s deepest hurt and vulnerability. But Nicholas is the more experienced of the two, and wields in addition, or is wielded by, a deep and dangerous power. One part of that power makes him a “diviner,” who vibrates to the presence of water or precious metals under the earth, his body receiving also, by way of personal talismans, the signals through space of a desperately sought living object, his newborn son. The other part of the power whirls him periodically into the currents of time, his mind aflame with the sights and sounds of another life whose focus is in his name, the name he has abandoned—the vander Poele/St Pol surname whose Scottish form, Semple, is startlingly familiar to readers of the Lymond Chronicles, Dorothy Dunnett’s first historical series.
The professionals Nicholas has assembled around him have always tried to control their leader’s mental and psychic powers; now a new group of acute and prescient friends strives to fathom and to guard him, from his enemies and from his own cleverness. Chief among these new friends is the fourteen-year-old niece of Anselm Adorne, the needle-witted and compassionate Katelijne Sersanders, who finds some way to share all his pilgrimages as she pushes adventurously past the barriers of her age and gender. The musician Willie Roger, the metallurgical priest Father Moriz, and the enigmatic physician and mystic Dr. Andreas of Vesalia add their fascinated and critical advice as Nicholas pursues his gold and his son through the intricate course, beckoning and thwarting, prepared by Gelis van Borselen. In the endgame, as Venetian carnivale reaches its height, this devoted father, moving the one necessary step ahead of the mother’s game, finds, takes, and disappears with the child-pawn whose face, seen at last, is the image of his own.
Yet there is a Lenten edge to this thundering Martidi Grasso success. Why has Nicholas