To the Lighthouse - Virginia Woolf [90]
She let her flowers fall from her basket, scattered and tumbled them on to the grass and, reluctantly and hesitatingly, but without question or complaint—had she not the faculty of obedience to perfection?—went too. Down fields, across valleys, white, flower-strewn—that was how she would have painted it. The hills were austere. It was rocky; it was steep. The waves sounded hoarse on the stones beneath. They went, the three of them together, Mrs Ramsay walking rather fast in front, as if she expected to meet some one round the corner.
Suddenly the window at which she was looking was whitened by some light stuff behind it. At last then somebody had come into the drawing-room; somebody was sitting in the chair. For Heaven's sake, she prayed, let them sit still there and not come floundering out to talk to her. Mercifully, whoever it was stayed still inside; had settled by some stroke of luck so as to throw an odd-shaped triangular shadow over the step. It altered the composition of the picture a little. It was interesting. It might be useful. Her mood was coming back to her. One must keep on looking without for a second relaxing the intensity of emotion, the determination not to be put off, not to be bamboozled. One must hold the scene—so—in a vise and let nothing come in and spoil it. One wanted, she thought, dipping her brush deliberately, to be on a level with ordinary experience, to feel simply that's a chair, that's a table, and yet at the same time, It's a miracle, it's an ecstasy. The problem might be solved after all. Ah, but what had happened? Some wave of white went over the window pane. The air must have stirred some flounce in the room. Her heart leapt at her and seized her and tortured her.
"Mrs Ramsay! Mrs Ramsay!" she cried, feeling the old horror come back—to want and want and not to have. Could she inflict that still? And then, quietly, as if she refrained, that too became part of ordinary experience, was on a level with the chair, with the table. Mrs Ramsay—it was part of her perfect goodness—sat there quite simply, in the chair, flicked her needles to and fro, knitted her reddish-brown stocking, cast her shadow on the step. There she sat.
And as if she had something she must share, yet could hardly leave her easel, so full her mind was of what she was thinking, of what she was seeing, Lily went past Mr Carmichael holding her brush to the edge of the lawn. Where was that boat now? And Mr Ramsay? She wanted him.
Chapter 13
Mr Ramsay had almost done reading. One hand hovered over the page as if to be in readiness to turn it the very instant he had finished it. He sat there bareheaded with the wind blowing his hair about, extraordinarily exposed to everything. He looked very old. He looked, James thought, getting his head now against the Lighthouse, now against the waste of waters running away into the open, like some old stone lying on the sand; he looked as if he had become physically what was always at the back of both of their minds—that loneliness which was for both of them the truth about things.
He was reading very quickly, as if he were eager to get to the end. Indeed they were very close to the Lighthouse now. There it loomed up, stark and straight, glaring white and black, and one could see the waves breaking in white splinters like smashed glass upon the rocks. One could see lines and creases in the rocks. One could see the windows clearly; a dab of white on one of them, and a little tuft of green on the rock. A man had come out and looked at them through a glass and gone in again. So it was like that, James thought, the Lighthouse one had seen across the bay all these years; it was a stark tower on a bare rock. It satisfied him. It confirmed some obscure feeling of his about his own character. The old ladies, he thought, thinking of the garden at home, went dragging their chairs about on the lawn. Old Mrs Beckwith, for