Tom Clancy's op-centre_ mirror image - Tom Clancy [134]
"Our apologies, Lieutenant," the man said in English as he stood and raised his goggles.
A third man reached the cabin and, after shouting in, was told to enter. He swung in through the window.
The new arrival tended to his companion's wound by the light of the coals, while the other man-- obviously the group's leader-- bent to look at Nikita's wound. While he did so, Nikita reached out with his left arm to try and push the throttle. The leader grabbed his wrist and the Russian tried to kick at him with his free foot, but the pain was too great.
"They don't give medals for suffering," the man said to Nikita.
As Nikita lay there panting, the leader pulled an empty rope bag from around his shin, used a small knife to cut off the strap, and slipped the band around the blood-soaked leg, just above the wound. He gave it a firm pull. He used another length of strap to bind his hands and tie them to an iron hook on the floor of the train.
"We'll be leaving the train in a few minutes," the man said. "We'll take you off and see that you get medical attention."
Nikita had no idea what he was saying, nor did he care. These men were the enemy, and one way or another he was going to stop them from doing whatever they planned.
His hands behind him, he used his thumbnail to dig the glass stone from his regimental ring. It had been designed to come free like that. It had also been designed so that a halfinch blade would pop up from beneath the stone when it came out. And with no one watching his hands. he began to saw against the leather strap.
CHAPTER SIXTY-FIVE
Tuesday, 4:27 P.M., St. Petersburg
After making their way through the strikers, Peggy and George had gone to the rest rooms at the Hermitage and changed into the clothes they carried, the Western-style jeans, button-down shirts, and Nikes favored by Russian youth. They folded their uniforms into their backpacks, then walked hand in hand up the large State Staircase to the first floor of the Large Hermitage, the home of the museum's extensive collection of Western European art.
One of the gems of the collection, Raphael's Conestabile Madonna, painted in 1502, is named for the city in central Italy that had been its home for centuries. The round painting is seven inches tall by seven inches wide, nestled in an ornate gold frame as wide on each side as the art, and shows the Madonna, in a blue robe, sitting in front of rolling hills cradling the infant Jesus in her arms.
Peggy and George had arrived shortly before Volko was due. Peggy acted as though she was looking at art when she was actually keeping an eye on the Raphael. George, who had never even seen a photograph of the operative, was holding her hand lightly as his eyes ranged from painting to painting. Because it wasn't his wife's hand, he felt guilty enjoying Peggy's touch, the warmth of her fingers against his palm, the feathery lightness of her fingertips against the side of his hand. Thinking about how deadly that hand could be made her touch that much more electric.
At exactly 4:29 Peggy's hand tensed though she didn't break her stride. George glanced toward the Raphael. A man about six-two was walking slowly around the side of the room, toward the painting. He was dressed in loose white chinos, brown shoes, and a blue windbreaker that bulged around a spreading waist. As he neared the Raphael, Peggy squeezed George's hand harder. The Russian cut across the room and was headed toward the right side of the painting, not the left.
Peggy gently tugged George around, then led him slowly toward the door. She hugged his arm now with both of hers, letting him support her. All the while her eyes searched the room, moving slowly instead of darting so as not to attract attention. Everyone else in the room was moving or looking at paintings, all except for a short man in starched brown trousers. His round face seemed out of place here, a dark cloud amid the many sunny, adoring expressions- Peggy stopped by Raphael's Holy