Tom Grogan [5]
his position.
"What are your rates per ton?" asked Babcock.
"We're a-chargin' forty cints," said McGaw, deferring to Lathers, as if for confirmation.
"Who's 'we'?"
"The Stevedores' Union."
"But Mrs. Grogan is doing it for thirty," said Babcock, looking straight into McGaw's eyes, and speaking slowly and deliberately.
"Yis, I heared she wuz a-cuttin' rates; but she can't live at it. If I does it, it'll be done roight, an' no throuble."
"I'll think it over," said Babcock quietly, turning on his heel. The meanness of the whole affair offended him--two big, strong men vilifying a woman with no protector but her two hands. McGaw should never lift a shovel for him.
Again the song floated out; this time it seemed nearer,--
". . . wid McGeechy-- McGeechy of the Fourth."
"Dan McGaw's giv'n it to you straight," said Lathers, stopping for a last word, his face thrust through the window again. "He's rigged for this business, and Grogan ain't in it with him. If she wants her work done right, she ought to send down something with a mustache."
Here the song subsided in a prolonged chuckle. McGaw turned, and caught sight of a boy's head, with its mop of black hair thrust through a crownless hat, leaning over a water cask. Lathers turned, too, and instantly lowered his voice. The head ducked out of sight. In the flash glance Babcock caught of the face, he recognized the boy Cully, Patsy's friend, and the driver of the Big Gray. It was evident to Babcock that Cully at that moment was bubbling over with fun. Indeed, this waif of the streets, sometimes called James Finnegan, was seldom known to be otherwise.
"Thet's the wurrst rat in the stables," said McGaw, his face reddening with anger. "What kin ye do whin ye're a-buckin' ag'in' a lot uv divils loike him?"--speaking through the window to Babcock. "Come out uv thet," he called to Cully, "or I'll bu'st yer jaw, ye sneakin' rat!"
Cully came out, but not in obedience to McGaw or Lathers. Indeed, he paid no more attention to either of those distinguished diplomats than if they had been two cement-barrels standing on end. His face, too, had lost its irradiating smile; not a wrinkle or a pucker ruffled its calm surface. His clay-soiled hat was in his hand--a very dirty hand, by the way, with the torn cuff of his shirt hanging loosely over it. His trousers bagged everywhere--at knees, seat, and waist. On his stockingless feet were a pair of sun-baked, brick-colored shoes. His ankles were as dark as mahogany. His throat and chest were bare, the skin tanned to leather wherever the sun could work its way through the holes in his garments. From out of this combination of dust and rags shone a pair of piercing black eyes, snapping with fun.
"I come up fer de mont's pay," he said coolly to Babcock, the corner of his eye glued to Lathers. "De ole woman said ye'd hev it ready."
"Mrs. Grogan's?" asked the bookkeeper, shuffling over his envelopes.
"Yep. Tom Grogan."
"Can you sign the pay-roll?"
"You bet"--with an eye still out for Lathers.
"Where did you learn to write--at school?" asked Babcock, noting the boy's independence with undisguised pleasure.
"Naw. Patsy an' me studies nights. Pop Mullins teaches us--he's de ole woman's farder what she brung out from Ireland. He's a-livin' up ter de shebang; dey're all a-livin' dere--Jinnie an' de ole woman an' Patsy--all 'cept me an' Carl. I bunks in wid de Big Gray. Say, mister, ye'd oughter git onter Patsy--he's de little kid wid de crutch. He's a corker, he is; reads po'try an' everythin'. Where'll I sign? Oh, I see; in dis'ere square hole right along-side de ole woman's name"--spreading his elbows, pen in hand, and affixing "James Finnegan" to the collection of autographs. The next moment he was running along the dock, the money envelope tight in his hand, sticking out his tongue at McGaw, and calling to Lathers as he disappeared through the door in the fence, "Somp'n wid a mustache, somp'n wid a mustache," like a news-boy calling an extra. Then a stone grazed
"What are your rates per ton?" asked Babcock.
"We're a-chargin' forty cints," said McGaw, deferring to Lathers, as if for confirmation.
"Who's 'we'?"
"The Stevedores' Union."
"But Mrs. Grogan is doing it for thirty," said Babcock, looking straight into McGaw's eyes, and speaking slowly and deliberately.
"Yis, I heared she wuz a-cuttin' rates; but she can't live at it. If I does it, it'll be done roight, an' no throuble."
"I'll think it over," said Babcock quietly, turning on his heel. The meanness of the whole affair offended him--two big, strong men vilifying a woman with no protector but her two hands. McGaw should never lift a shovel for him.
Again the song floated out; this time it seemed nearer,--
". . . wid McGeechy-- McGeechy of the Fourth."
"Dan McGaw's giv'n it to you straight," said Lathers, stopping for a last word, his face thrust through the window again. "He's rigged for this business, and Grogan ain't in it with him. If she wants her work done right, she ought to send down something with a mustache."
Here the song subsided in a prolonged chuckle. McGaw turned, and caught sight of a boy's head, with its mop of black hair thrust through a crownless hat, leaning over a water cask. Lathers turned, too, and instantly lowered his voice. The head ducked out of sight. In the flash glance Babcock caught of the face, he recognized the boy Cully, Patsy's friend, and the driver of the Big Gray. It was evident to Babcock that Cully at that moment was bubbling over with fun. Indeed, this waif of the streets, sometimes called James Finnegan, was seldom known to be otherwise.
"Thet's the wurrst rat in the stables," said McGaw, his face reddening with anger. "What kin ye do whin ye're a-buckin' ag'in' a lot uv divils loike him?"--speaking through the window to Babcock. "Come out uv thet," he called to Cully, "or I'll bu'st yer jaw, ye sneakin' rat!"
Cully came out, but not in obedience to McGaw or Lathers. Indeed, he paid no more attention to either of those distinguished diplomats than if they had been two cement-barrels standing on end. His face, too, had lost its irradiating smile; not a wrinkle or a pucker ruffled its calm surface. His clay-soiled hat was in his hand--a very dirty hand, by the way, with the torn cuff of his shirt hanging loosely over it. His trousers bagged everywhere--at knees, seat, and waist. On his stockingless feet were a pair of sun-baked, brick-colored shoes. His ankles were as dark as mahogany. His throat and chest were bare, the skin tanned to leather wherever the sun could work its way through the holes in his garments. From out of this combination of dust and rags shone a pair of piercing black eyes, snapping with fun.
"I come up fer de mont's pay," he said coolly to Babcock, the corner of his eye glued to Lathers. "De ole woman said ye'd hev it ready."
"Mrs. Grogan's?" asked the bookkeeper, shuffling over his envelopes.
"Yep. Tom Grogan."
"Can you sign the pay-roll?"
"You bet"--with an eye still out for Lathers.
"Where did you learn to write--at school?" asked Babcock, noting the boy's independence with undisguised pleasure.
"Naw. Patsy an' me studies nights. Pop Mullins teaches us--he's de ole woman's farder what she brung out from Ireland. He's a-livin' up ter de shebang; dey're all a-livin' dere--Jinnie an' de ole woman an' Patsy--all 'cept me an' Carl. I bunks in wid de Big Gray. Say, mister, ye'd oughter git onter Patsy--he's de little kid wid de crutch. He's a corker, he is; reads po'try an' everythin'. Where'll I sign? Oh, I see; in dis'ere square hole right along-side de ole woman's name"--spreading his elbows, pen in hand, and affixing "James Finnegan" to the collection of autographs. The next moment he was running along the dock, the money envelope tight in his hand, sticking out his tongue at McGaw, and calling to Lathers as he disappeared through the door in the fence, "Somp'n wid a mustache, somp'n wid a mustache," like a news-boy calling an extra. Then a stone grazed