Too much happiness_ stories - Alice Munro [107]
Maksim would not interfere with her real work, which was research, not teaching. He would be glad she had something to absorb her, though she suspected that he found mathematics not trivial, but somehow beside the point. How could a professor of law and sociology think otherwise?
The weather is warmer at Nice, a few days later, when he takes her to board her train.
“How can I go, how can I leave this soft air?”
“Ah, but your desk and your differential equations will be waiting. In the spring you won’t be able to tear yourself away.”
“Do you think not?”
She must not think—she must not think that is a roundabout way of saying he wished they would not marry in the spring.
She has already written to Julia, saying it is to be happiness after all. Happiness after all. Happiness.
On the station platform a black cat obliquely crosses their path. She detests cats, particularly black ones. But she says nothing and contains her shudder. And as if to reward her for this self-control he announces that he will ride with her as far as Cannes, if she is agreeable. She can barely answer, she feels such gratitude. Also a disastrous pressure of tears. Weeping in public is something he finds despicable. (He does not think he should have to put up with it in private either.)
She manages to reabsorb her tears, and when they reach Cannes, he folds her into his capacious well-cut garments with their smell of manliness—some mixture of fur-bearing animals and expensive tobacco. He kisses her with decorum but with a small flick of his tongue along her lips, a reminder of private appetites.
She has not, of course, reminded him that her work was on the Theory of Partial Differential Equations, and that it was completed some time ago. She spends the first hour or so of her solitary journey as she usually spends some time after a parting from him—balancing signs of affection against those of impatience, and indifference against a certain qualified passion.
“Always remember that when a man goes out of the room, he leaves everything in it behind,” her friend Marie Mendelson has told her. “When a woman goes out she carries everything that happened in the room along with her.”
At least she has time now to discover that she has a sore throat. If he has caught it she hopes he won’t suspect her. Being a bachelor in robust health he regards any slight contagion as an insult, bad ventilation or tainted breath as personal attacks. In certain ways he is really quite spoiled.
Spoiled and envious, actually. A while ago he wrote to her that certain writings of his own had begun to be attributed to her, because of the accident of the names. He had received a letter from a literary agent in Paris, starting off by addressing him as Dear Madam.
Alas he had forgotten, he said, that she was a novelist as well as a mathematician. What a disappointment for the Parisian that he was neither. Merely a scholar, and a man.
Indeed a great joke.
II
She falls asleep before the lamps are lit in the train. Her last waking thoughts—unpleasant thoughts—are of Victor Jaclard, her dead sister’s husband, whom she plans to see in Paris. It is really her young nephew, Urey, her sister’s child, that she is anxious to see, but the boy lives with his father. She always sees Urey in her mind as he was at about the age of five or six, angelically blond, trusting and sweet natured, but not in temperament so much like his mother, Aniuta.
She finds herself in a confused dream of Aniuta, but of an Aniuta long before Urey and Jaclard were on the scene. Aniuta unmarried, golden haired, beautiful, and bad tempered, back at the family estate of Palibino, where she is decorating her tower room