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Too much happiness_ stories - Alice Munro [45]

By Root 490 0
as foreign costumes. The wearers hadn’t just arrived here; they had got past the moving-in phase. She was in their way.

On the steps of an old bank building just beyond the subway entrance, several men were sitting or lounging or sleeping. This was no longer a bank, of course, though its name was cut in stone. She looked at the name rather than the men, whose slouching or reclining or passed-out postures were such a contrast to the old purpose of the building, and the hurry of the crowd coming out of the subway.

“Mom.”

One of the men on the steps came towards her in no hurry, with a slight drag of one foot, and she realized that it was Kent and waited for him.

She would almost as soon have run away. But then she saw that not all the men were filthy or hopeless looking, and that some looked at her without menace or contempt and even with a friendly amusement now that she was identified as Kent’s mother.

Kent didn’t wear a robe. He wore gray pants that were too big for him, belted in, and a T-shirt with no message on it and a very worn jacket. His hair was cut so short you could hardly see the curl. He was quite gray, with a seamed face, some missing teeth, and a very thin body that made him look older than he was.

He did not embrace her—indeed she did not expect him to—but put his hand just lightly on her back to steer her in the direction they were supposed to go.

“Do you still smoke your pipe?” she said, sniffing the air and remembering how he had taken up pipe smoking in high school.

“Pipe? Oh. No. It’s the smoke from the fire you smell. We don’t notice it anymore. I’m afraid it’ll get stronger, in the direction we’re walking.”

“Are we going to go through where it was?”

“No, no. We couldn’t, even if we wanted to. They’ve got it all blocked off. Too dangerous. Some buildings will have to be taken down. Don’t worry, it’s okay where we are. A good block and a half away from the mess.”

“Your apartment building?” she said, alert to the “we.”

“Sort of. Yes. You’ll see.”

He spoke gently, readily, yet with an effort, like someone speaking, as a courtesy, in a foreign language. And he stooped a little, to make sure she heard him. The special effort, the slight labor involved in speaking to her, as if making a scrupulous translation, seemed something she was meant to notice.

The cost.

As they stepped off a curb he brushed her arm—perhaps he had stumbled a little—and he said, “Excuse me.” And she thought he gave the least shiver.

AIDS. Why had that never occurred to her before?

“No,” he said, though she had certainly not spoken aloud. “I’m quite well at present. I’m not HIV positive or anything like that. I contracted malaria years ago, but it’s under control. I may be a bit run-down at present but nothing to worry about. We turn here, we’re right in this block.”

“We” again.

“I’m not psychic,” he said. “I just figured out something that Savanna was trying to get at and I thought I’d put you at rest. Here we are then.”

It was one of those houses whose front doors open only a few steps from the sidewalk.

“I’m celibate, actually,” he said, holding open the door.

A piece of cardboard was tacked up where one of its panes should be.

The floorboards were bare and creaked underfoot. The smell was complicated, all-pervasive. The street smell of smoke had got in here, of course, but it was mixed with smells of ancient cooking, burnt coffee, toilets, sickness, decay.

“Though ‘celibate’ might be the wrong word. That sounds as if there’s something to do with willpower. I guess I should have said ‘neuter.’ I don’t think of it as an achievement. It isn’t.”

He was leading her around the stairs and into the kitchen. And there a gigantic woman stood with her back to them, stirring something on the stove.

Kent said, “Hi, Marnie. This is my mom. Can you say hello to my mom?”

Sally noticed a change in his voice. A relaxation, honesty, perhaps a respect, different from the forced lightness he managed with her.

She said, “Hello, Marnie,” and the woman half turned, showing a squeezed doll’s face in a loaf of flesh but not focusing

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