Townie_ A Memoir - Andre Dubus [21]
“Because he’s shy. Don’t you know that about him? Your father is actually shy.” But Bruce wasn’t, and he was looking at me in a way no adult ever had, not a man anyway.
WE GOT home from the restaurant after dark, and I walked straight through the house to turn on the outside light and look at my bike. At first I thought I was seeing dead snakes. Our cut bike chains were lying in the dirt and the rest of the yard was empty, the gate wide open.
Then I knew what I was seeing, and how could we have been so stupid? Why did we go riding those bikes in this neighborhood, advertising them like that? And I should’ve known you can’t trust good things to stay good. I should have known that.
Lying in bed that night, Nicole crying in her room, Suzanne still trying to soothe her, Jeb silent in his bed beside mine, I pictured us getting home just as the bike thieves were putting the hacksaw to our chains. In my vision they were grown men and I was the first in the yard and I said nothing to them, just started punching and kicking until they were dead. Not hurt, but dead.
A few days later I was sitting on our front step, one eye open—the way it always was—for Clay Whelan. The sun was high over the town, and a kid on a bike came riding up from Water Street. I could see the chopper forks and the sissy bar. I could see the knob of the five-speed gear shifter, and as the rider got closer I could see the frame itself was no longer orange but a dull, spray-painted black and red and green. The kid started pedaling standing up and I saw how new the seat looked, how brightly orange it shone in the sunlight, though it’d been sliced down the middle to make it look older, its white foam protruding like guts.
My heart was punching a hole in my chest and I was about to run into the street. Then I saw who the rider was: Cody Perkins. He glanced down at me like I was not there. Like I was not. And I watched him pedal my new bike all the way up Lime Street and away.
THE MAILMAN came in the afternoons while the four of us sat in front of the TV. Our mailbox was rusty and hung crooked against the clapboards, and we could hear him opening it, the creak of its hinges, his footsteps walking away on the concrete. One afternoon amongst the bills was a blue envelope from Lake Jackson, Texas. It was addressed to all of us, and Suzanne opened it. It was a card from our mother’s older sister, our Aunt Jeannie, and her husband, our Uncle Eddie, two people we’d heard of but barely knew. Inside it were four checks, each one made out to each of us kids for fifty dollars. The four of us looked at each other. We kept looking down at the checks in our hands, but I was drawn even more to the card and those two handwritten words: Aunt and Uncle. The fact of them, living two thousand miles south of us. Our grandfather and grandmothers, too. Mom had told us we had fifteen first cousins down there, that thirteen of them were our ages, Pop’s sisters’ kids, and they lived one block away from each other in Baton Rouge, Louisiana. I knew only a few of their names. Standing there with that check, there was the feeling that our family of six had been marooned up here, that our young mother and father had somehow taken a wrong turn.
JEB AND I fought a lot. He was younger by a year but taller and stronger and he almost always won. One afternoon in the house on Lime Street he had me pinned to the floor of the upstairs hall, his foot on my neck while he kicked me in the ribs. Suzanne broke it up, yelling at us, swearing, her black eyeliner looking so dark against her pale skin. She made Jeb go downstairs, then she went back into her bedroom, and I pulled from behind my door the metal stilt leaning against the wall. I don’t remember where we got it or where the other one was, but