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Trojan Gold - Elizabeth Peters [55]

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’s attention—he loves people to play with him—and a chaotic interval ensued, until I could pry the dog from Tony.

When the dust settled, Tony and Schmidt were sitting on the floor with Caesar between them, and Schmidt was explaining that Caesar was just a big lovable pussycat who happened to be in the body of a Doberman. Caesar was slobbering on both of them, alternately and impartially. I saw no reason to join in, so I sat down and drank my beer.

John had taken advantage of the brouhaha to escape, but not, as I hoped (or feared) out of the house. Before long, he came tripping down the stairs, fully attired. He was wearing the same thing he had worn the night before; I deduced as much, since he had not been carrying a suitcase, but I must admit it was the first time I had actually seen the ensemble. Black, all of it, from his track shoes to the cap he was carrying in his hand. I had expected he would bid us a fond farewell, since he was clearly dressed for the street; instead, he parked himself in the most comfortable chair and proceeded to be charming.

I sat there morosely drinking beer and wondering what the hell John was up to. Oh, I knew part of the performance was designed to calm Tony and persuade him to do what John wanted him to do, i.e., spend the night at the house. He succeeded in the former aim; I saw Tony’s frown smooth out, to be replaced by a pseudo-tolerant smile as he studied John’s graceful gestures and winning smiles and deceptively slender build. I thought John was overdoing it a bit when he started calling Tony “duckie” and patting him on the arm—John’s great weakness is a tendency to get carried away by a role—but Tony has the usual prejudices against well-groomed men who bat their eyelashes at him.

That wasn’t John’s only reason for hanging around. He was waiting for something, I could tell. When the telephone rang, he stiffened perceptibly. At least it was perceptible to me; I don’t think the others noticed.

She apologized rather perfunctorily for disturbing me, and then, as was her habit, got straight to the point. “I heard of your accident. I am so distressed it should happen. I telephoned you this morning but you did not answer—”

“I was here all morning,” I began—then I saw the corner of John’s mouth twitch, and I shut up. The telephone had rung; one of us—I think it was John—had reached out and taken it off the hook. Apparently he had put it back after I left.

“I am calling to ask for your help,” Friedl went on. “I know my husband meant to do so. But I did not realize before that the matter was so serious. Now you are in danger too. It is a matter of life and death.”

“Oh, really?” I couldn’t think what else to say, not only because of the listening ears, but because she gave the impression of someone reciting memorized lines, not quite in order.

“You take it lightly,” Friedl said, sounding more like her sullen self. “I tell you, they want to kill you!”

“Who?”

She went back to the prepared script. “I cannot say more over the telephone. I too am in danger. You must come—here—to the hotel. Bring a friend if you like, someone who can help us. Will you come? Tomorrow?”

“Well…all right.”

In a sudden switch from the melodramatic to the brisk, she thanked me and hung up. I turned to find three pairs of eyes focused on me.

“Who was it?” Schmidt asked.

“None of your business, Schmidt. How about another beer?”

He was agreeable. I picked up the tray and went to the kitchen. John was right on my heels.

“How did you know?” I demanded.

“Was that her?”

“She. How did—”

“Pedant,” John said. “Well, I expected something of the sort; didn’t you?”

“No,” I admitted. “She’s invited me to be her guest at the hotel—dire hints of disasters past and present. Apparently she’s decided to come clean; she admitted her husband had intended to write to me. Maybe I was wrong about her. She had no reason to trust me, walking in off the street the way I did.”

“If you believe that, you are as innocent as a new-laid egg.”

“You think it’s a trap?”

“Could be.” John did not appear particularly perturbed by the idea.

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